Glass blowing inspires new class of quantum sensors

Glass blowing inspires new class of quantum sensors

A glass artist’s work with diamonds has opened the door to a new class of quantum sensors able to monitor changes in magnetic fields, with implications for mining and underwater monitoring.

When Adelaide glass blower Karen Cunningham made art using diamond and glass she had no idea it would inspire a new kind of hybrid material.  Now a consortium of scientists, including from RMIT University and University of Adelaide, is using the technology to make a new class of quantum sensors.

The study published in APL Materials reveals how high-performance diamond sensors can be made using conventional glass fibres.

By embedding micron-scale diamond particles within the cross section of a silicate glass fibre, the team has demonstrated the use of a robust fibre material capable of sensing magnetic fields.

Study lead author and RMIT School of Science’s Dr Dongbi Bai said it was an exciting achievement that opened the door to many applications in underwater monitoring, mining and beyond.

Optic vessels Optic vessels made of glass and diamond by artist Karen Cunningham. Source: Michael Haines Photography

“This allows us to make cheap quantum sensor networks that are able to monitor changes in magnetic field, with many useful applications and the answers to questions we haven’t thought of yet,” she said.

Diamond is one of the front runner technologies for quantum magnetic field sensing, with applications as diverse as brain scanning, navigation and mineral exploration.

But, diamond particles need to be viewed through high-end microscopes that aren’t suited for use over an extended period or in the field.

University of Adelaide Deputy Director of the Institute for Photonics and Advanced Sensing, Heike Ebendorff-Heidepriem, said the team had been working to get around this issue for a decade.

“But because diamond burns at high temperatures, we’ve been limited in the glasses that we can use,” she added.

The team has learnt a lot from these so-called ‘soft glasses’, but these glasses are non-standard and not as good at guiding light as conventional silica fibres, such as those used in the National Broadband Network.

From art to science

This is where glass artist Karen Cunningham comes into the picture. She was making art using nanoparticles to show how light moves through glass and was fascinated by the diamonds that were used by Heike and her colleagues in her research.

“We gave Karen some of our larger diamonds to see how they worked,” RMIT School of Science’s Professor Brant Gibson, explained.  

Glass drips Green drips made of glass and diamond by artist Karen Cunningham. Source: Michael Haines Photography

The diamonds he gave Karen were around one micron in diameter, which is 50 times smaller than the width of a human hair. 

“For most of our work, these diamonds are just too big, so we use them mainly for testing,” he said.

Incredibly, the diamonds survived Karen’s glass blowing, and were part of her exhibition at JamFactory in Adelaide, in 2017.

“For us, it was the lightbulb moment and we knew we could make diamond sensors in more conventional glass fibres,” Heike said.

To go from Karen’s art to prototype sensors took another three years of testing and fabrication, explained Dr Dongbi Bai.

“It always takes hard work to go from the idea to the product, but I’m so excited by what we’ve achieved, and even more excited by where this new quantum sensor can take us,” she said.

The study, ‘Fluorescent diamond microparticle doped glass fiber for magnetic field sensing’, is published in APL Materials (DOI:10.1063/5.0013473) and was funded by the Australian Research Council and the Defence Science and Technology Group through the Next Generation Technology Fund.

The consortium included scientists from RMIT University, University of Adelaide, University of Melbourne, University of South Australia and the Defence Science and Technology Group.

Banner image: Three glass rings by artist Karen Cunningham. The coloured light reveals the internal line of the diamond used in the artwork. Source: Michael Haines Photography

 

Story: Andrew Greentree and Diana Robertson

13 August 2020

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13 August 2020

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