Animations add new dimension to orchestra performance

Animations add new dimension to orchestra performance

Animations by RMIT design students featured in a Melbourne Symphony Orchestra (MSO) performance led by Principal Viola Christopher Moore.

Bachelor of Design (Animation and Interactive Media) students created short animations to accompany Schoenberg’s Transfigured Night, responding to both the music itself, and the emotions and narrative they uncovered through their listening.

The series of thematically connected animated snippets were interspersed throughout the performance held at The Capitol.

Large group of students posing in front of stage.

Rare opportunity to be on the big screen

Throughout the project, the students were guided by lecturers Laura Eldar and Scarlet Sykes Hesterman.

Eldar said that the experience was a rare opportunity for students to see their work enjoyed by a live audience.

“Often in animation you spend a very long time labouring intensely over something which isn't always seen by a live audience, so knowing that the students’ work would culminate in a tangible event they'd be able to attend was huge drawcard for me,” Eldar said.  

“One of the great things about working with MSO was their willingness to run with whatever ideas we had so long as we remained in the realm of the abstract. 

“Abstract animation can be a challenging format to convey emotion or storytelling through, but the music provided a template to do this. I'm really proud of what our students created and felt it complemented the performance beautifully.” 

Violinists and other musicians on stage with student animation of a forest at night projected in the background.

Dr Li Ping Thong, Associate Dean (Digital Design), said this collaboration was a testament to RMIT’s School of Design offering students real-world opportunities. 

"I couldn’t be prouder to see our Animation students build on RMIT’s reputation for having one of the best animation programs in Australia,” Thong said.  

“Collaborating with the MSO at The Capitol wasn’t just a showcase of their creative and technical talent - it was a testament to the strength of our School of Design in preparing students for impactful, real-world opportunities like this.“

“This is why we’re leaders in digital design education." 

A student reflection 

Student Patricia Olivia produced an animation for the program together with classmates Maddie Hai Lin and Jana Enriquez based on a ‘moment of realisation’.

“When I thought of realisation, my first thought was clarity; to see things clearly. This idea led me to light reflections, and eventually a suncatcher,” Olivia said.  

Their animation captured the idea that the suncatcher itself is transparent and multifaceted, suggesting the complexity of truth.  

“It’s through this object that light takes on new forms, much like a new idea reframes understanding. The dancing reflections, meanwhile, symbolise moments of clarity or insight -  when fragments of truth or a new perspective come into view, breaking through an old, rigid worldview.”

She said the project allowed a great deal of artistic creativity and was wowed by the work of her classmates. 

“We were given total control, allowing us to explore, experiment, and create whatever we choose. As a creative, I have found this to be very enjoyable,” she said. 

“I'm just as amazed by my classmates' works during the screening as the rest of the audience, since we didn’t see the final versions of everyone's works prior to the screening. I'm so proud of everyone for having completed their work in time!”  

Celebrating a Melbourne icon 

The special performance was held as part of the 100th anniversary celebrations for The Capitol. 

From silent films to contemporary performance, near demolition to reinvention, the theatre has stood the test of time. RMIT acquired The Capitol building in 1999 to use as a teaching space for its film and media students. 

This November, RMIT brought together industry and creative partners, government, donors, alumni, staff and students to celebrate the centenary of this Melbourne cultural icon.  

Opening in November 1924 the Chicago-Gothic-style theatre, then known as the Capitol Theatre, was the first extravagant “picture palace” to be built in Victoria. It is renowned for its ceiling which is made up of 33,000 plaster crystals lit by thousands of coloured lights to create the impression of a crystalline cave of wonder.

Story: Nick Adams

03 December 2024

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RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.