CAST publications

CAST publications

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2024

  • Grieves, G. & Spiers, A., eds. (2024) Art and Memorialisation: Truth-telling through creative practice in settler colonial Australia, Springer.
  • Johnson, P.,McCracken, C. (2024). Liminality When Grounded: Micro-mobilities in contemporary art practice during the COVID-19 pandemic In: Liminality, Transgression and Space Across the World, Routledge, United Kingdom 
  • Rousell, D.,Hussey-Smith, K. (2024). In Press - Learning to Share the World: Reckoning With the Logistics of Whiteness in Public Galleries and Museums In: Cultural Studies - Critical Methodologies,1 - 12
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  • Alder, A.,Crawford, M.,Harding, R. (2023). Presenting the News Anew In: Dystopian and Utopian Impulses in Art Making, Intellect, United Kingdom 
  • Badham, M.,Maravillas, F. (2023). The Gentle Activism of ‘Bruised Food’: Art and Curation in Times of Crises In: Dystopian and Utopian Impulses in Art Making, Intellect, United Kingdom 
  • Barry, K.,Southern, J.,Baxter, T.,Hieslmair, M.,Johnson, P., et al., . (2023). An agenda for creative practice in the new mobilities paradigm In: Mobilities, 18, 349 - 373 
  • Eckersley, A. (2023). Abstract combinations In: Journal of Dance & Somatic Practices, 15, 77 - 92
  • Forrest, D.,Jeanneret, N. (2023). An invisible voice for music: Regulatory requirement dictating the provision of music In: Australian Journal of Music Education, 55, 60 - 65 
  • Harwood, T. McQuilten, G. and White, A. 2023, 'Variations: A More Diverse Picture of Contemporary Art', Monash University Publishing, Clayton, Australia ISBN: 9781922979223
  • Hewitt, J. Parker, L. McQuilten, G. and Khan, R. 2023, 'Sustainability Chic and the Future of Fashion Marketing', in Beyond the Dark Arts: Advancing Marketing and Communication Theory and Practice, World Scientific, Singapore, pp. 125-147 ISBN: 9789811276057
  • Hillary, F. (2023). Posthuman Publics In: More Posthuman Glossary, Bloomsbury, United Kingdom 
  • Hulbert, T.,Johnson, P.,Badham, M. (2023). Invisible Winds In: Invisible Winds Richmond, Victoria, Australia
  • Hussey-Smith, K. (2023). Towards Community Praxis in Community-Oriented Art Education In: Dystopian and Utopian Impulses in Art Making: the world we want, Intellect Books, Bristol, United Kingdom
  • Lye, J. Hirschberg, J. McQuilten, G. Powell, C. MacNeill, K. and Badham, M. 2023, 'The impact of COVID-19 on the well-being of Australian visual artists and arts workers', in Australian Journal of Social Issues, John Wiley & Sons, Inc., Australia, pp. 1-21 ISSN: 0157-632 
  • Macarow, K. (2023). Imagine a World Without Zoonotic Viruses In: Dystopian and Utopian Impulses in Art Making, Intellect, United Kingdom
  • Macarow, K. (2023). Emigrant ancestor, in memory of memories In: Book 2.0, 12, 177 - 184
  • Macarow, K. (2023). Viral Love In: Radical Intimacies, Intellect, United Kingdom 
  • McQuilten, G. 2023, 'Who Can A!ord to Fail? Art and Risk in an Era of Precarity', in Failurists - When Things Go Awry, Institute of Network Cultures, Amsterdam, The Netherlands, pp. 140-147 ISBN: 9789083328201
  • McQuilten, G. and Palmer, D. 2023, 'Introduction: Contemporary Art and Crisis', in Dystopian and Utopian Impulses in Art Making, Intellect, United Kingdom, pp. 13-17 ISBN: 9781789386523
  • McQuilten, G & Palmer, D. Eds. (2023). Dystopian & Utopian Impulses in Art Making: The World We Want. Intellect.
  • Van Loon, J.,Hussey-Smith, K. (2023). Failure and Interruption: Creative Carers in a Time of COVID-19 In: FAILURISTS When Things go Awry, Institute of Network Cultures, Netherlands

  • Coombs, G.,Hussey-Smith, K.,Hjorth, L.,van Loon, J. (2022). Mapping Relational Intensities and Care in the COVID-19 Pandemic Home: Understanding Carers’ Practices Through Cultural Probes In: Australian Feminist Studies, 37, 188 - 211 
  • Douglass, A.,Badham, M. (2022). Aesthetic Systems of Participatory Painting: Playing with Paint, Dialogic Art, and the Innovative Collective In: Public Art Dialogue, 12, 52 - 73 
  • Dwyer, M.,Pettifer, D. (2022). Agent Bodies In: Agent Bodies Melbourne, Australia 
  • Harrower, J.,Felice, G.,Parker, J.,Espinel, J.,Harris, D.,Hillary, F.,Ribeaux, T. (2022). The algae society bioart design lab exploring multispecies entanglements and making kin with algae In: Leonardo, 55, 332 - 337 
  • Hjorth, L.,Coombs, G.,Hussey-Smith, K.,Van Loon, J. (2022). Work, care and creativity in a time of COVID-19: creatively mapping presence bleed in the home In: Digital Creativity, 33, 219 - 233 
  • Hulbert, T.,Badham, M. (2022). To the fallen trees... In: The Big Anxiety Festival, Yarra Ranges Melbourne, Australia
  • Hussey-Smith, K. and McQuilten, G. 2022, 'Archives of Feeling', The Big Anxiety Festival, RMIT Gallery and RMIT Design Hub, Melbourne, Australia 
  • Hussey-Smith, K. (2022). New Kinds of Archives: Care leavers, state archives and narratives of the self In: Social Alternatives, 41, 20 - 33
  • Johnson, P. (2022). Faint Echoes In: Faint Echoes Melbourne, Austalia 
  • Liu, B.,Badham, M.,Redfern, D. (2022). Huaniao Island Public Art Festival: A Site for Social Encounter and Cultural Exchange In: Public Art Dialogue, 12, 200 - 221 
  • Macarow, K. (2022). A manifesto of care In: Care Ethics and Art, Routledge, New York, United States 
  • MacDonald, A.,Coleman, K.,Wise, K. (2022). Art teacher professional learning feedback loops in, for and from spaces between COVID-19 In: Australian Art Education, 43, 98 - 114 
  • MacNeill, K. Lye, J. McQuilten, G. Badham, M. and Powell, C. 2022, 'The Incomes of Visual Artists: Which Artists, What Income?', in The Australian Economic Review, Wiley, Melbourne, Australia, vol. 55, no. 4, pp. 558-567 ISSN: 0004-9018 
  • McCracken, C. (2022). Killing Snowmen: Big Things and Rural Australia’s Existential Crises In: Mobility Humanities, 1, 39 - 59 
  • McQuilten, G. Spiers, A. Humphery, K. and Kelly, P. 2022, 'Art-Based Social Enterprise, Young Creatives and the Forces of Marginalisation', Pa lg rave Macmillan, Cham Switzerland ISBN: 9783031109249
  • McQuilten, G. 2022, 'Twich Women's Sewing Collective: Activism through Enterprise, Social Change through Culture', in Let's Go Outside, Monash University Museum of Art, Melbourne, Australia, pp. 264-279 ISBN: 9781922633170
  • McQuilten, G. and Briggs, C. 2022, 'The Children's Sensorium', Big Anxiety Festival, RMIT Design Hub Gallery, Melbourne, Australia
  • McQuilten, G. and Spiers, A. 2022, 'Takeover', Takeover, Australian Centre for Contemporary Art, Melbourne, Australia
  • McQuilten, G. Hulbert, T. and Nguyen, T. 2022, 'day d6 (here/there)', day d6 (here/there), RMIT Gallery, Melbourne, Australia Other: Original Creative Work (Textual work)
  • McQuilten, G. 2022, 'Repetition, Transgression and Fashion in David Sequeira's untitled, India', All the things I never said that I should have said, Bunjil Place, Melbourne, Australia
  • Murray, P.,Rief, A.,Badham, M.,Meecham, T.,Reid, R.,Bourke, L. (2022). Birds of a Feather: On Queerness, Performance, The Coming Back Out Ball and The LGBTIQ+ Elders Dance Club In: Australasian Drama Studies Journal, , 237 - 271
  • Rousell, D.,Harris, D.,Wise, K.,MacDonald, A.,Vagg, J. (2022). Posthuman Creativities: Democratizing Creative Educational Experience Beyond the Human In: Review of Research in Education, 46, 374 - 397
  • Spiers, A. (2022). Introduction In: Let's Go Outside, Monash University Museum of Art, Melbourne, Australia
  • Wise, K.,MacDonald, A.,Badham, M.,Brown, N.,Rankin, S. (2022). Interdisciplinarity for social justice enterprise: intersecting education, industry and community arts perspectives In: Australian Educational Researcher, 49, 1 - 21

  • Spiers, A., and Grieves, G. (2021). ‘Counter-monuments: Challenging distorted colonial histories through public art and memorials’. Artlink 41, no. 2: 70-77. 
  • Badham, M.,Wise, K.,MacDonald, A. (2021). Mona’s 24 Carrot Gardens: Seeding an Ecology of Cultural Value in Tasmania In: Exploring Cultural Value: Contemporary Issues for Theory and Practice, Emerald Publishing Limited, Bingley, England
  • Bennett, A (2021). [six works], INSIDE ELANDS curated by Dr Rey, The Lock Up, Newcastle.
  • Dwyer, M. (2021). Wishing Wells In: Ichiahara Art + Mix Ichiahara, Japan
  • Dwyer, M. (2021). Ode to the OO In: Ode to the OO, Mikala Dwyer Melbourne, Australia
  • Dwyer, M. (2021). Phantom In: Phantom, Public Art Commission $100,000 Melbourne
  • Dwyer, M. (2021). Bird In: Bird, Solo exhibition Sydney
  • Forrest, D. (2021). Declarations on Education: The place of music within policy In: The Finnish Journal of Music Education, 24, 18 – 25
  • Harding, R.,Crawford, M.,Alder, A. (2021). A Contemporary Revolution: Positivism as a precursor to change In: Proceedings of the IMPACT11: International Multi-disciplinary Printmaking Conference, Hong Kong, China (SAR), 20-25 April 2021
  • Harding, R.,Yeung, C. (2021). Out of the Matrix: Decoding curation through print practice In: Proceedings of the IMPACT11: International Multi-disciplinary Printmaking Conference, Hong Kong, China (SAR), 20-25 April 2021
  • Harding, R. (2021). COVID Nationalism In: NEWSROOM Melbourne, Australia
  • Hussey-Smith, K. (2021). The Lost Objects In: Out of the darkness: A survivors journey Ballarat, Victoria
  • Johnson, P.,Jacobs, A. (2021). A feminist lens in the rehearsal room: 'On the bodily education of young girls' In: Australasian Drama Studies Journal, 79, 290 - 318
  • Johnson, P. (2021). A Conversation Between Performance Photographers Brett Boardman and Jeff Busby, with Notes by Heidrun Lohr In: Australasian Drama Studies, 79, 16 - 47
  • Johnson, P. (2021). Mooramong Green (series) In: Olive Cotton Portrait Award, National Trust magazine, LensCulture website, FotoFemmed instagram Murwillumbah
  • Johnson, P. (2021). Melissa Madden Gray In: Living Memory: National Photographic Portrait Prize 2021 Canberra
  • Macarow, K.,Hilton, R.,Coombs, G. (2021). Hands across Care: Art and social practice in health and elder care contexts In: Public Health, 195, 135 - 141
  • Macarow, K. (2021). Dispatches from the age of fire In: Book 2.0, 11, 9 - 18
  • Macarow, K. (2021). Choreography of Care In: London Journal of Critical Thought, 4, 36 - 50
  • Macarow, K.,Haslem, N.,Knutagard, M. (2021). Cities of Homefullness In: Time Space Existence Venice, Italy
  • Macnish, B.,McCracken, C.,Lee, M.,Bedford, S.,Wild, A.,Etchel, R. (2021). Squishy Taylor and the City-Wide Ghost Plaque In: Fringe Festival Melbourne, Australia
  • McCracken, C. (2021). Dystopias for discourse: The role of the artist in a rapidly reconfiguring city In: Global Discourse, 11, 67 - 78
  • McCracken, C. (2021). Lisbon Dreaming In: Wangaratta Contemporary Textile Award Wangaratta, Victoria, Australia
  • McQuilten, G. and Spiers, A. 2021, 'Joining my Future: Art, Work, Inequality and Crisis', Bus Projects, Bus Projects, Melbourne, Australia
  • Pettifer, D.,Lam, L. (2021). Strengthening International Partnerships and Collaborations in the Absence of Global Mobility: A Case Study In: Proceedings of the 2021 Australian Council University Art and Design Schools Conference, Online, 28/10/2021-29/10/2021
  • Sharp, K.,Samartzis, P.,Tetzlaff, A. (2021). Mutable Ecologies In: Mutable Ecologies Online (Melbourne, Australia and Tokyo, Japan)
  • Wallis, L.,Hornblow, M.,Smit, N.,Gough, D.,Wise, C.,Bailey, T. (2021). From little things, big things grow: Building connections through place-based education in the Tasmanian Midlands biodiversity hotspot In: Ecological Management and Restoration, 22, 152 - 163

*Image credit

  • Activating Truth, Brunswick Mechanics Institute, 2024. Photograph by Alan Hill.
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

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