Meta-Mangrovis: Perception of Ecological Transformation of Mangrove Landscapes through Contemporary Sonic Arts Practice

Meta-Mangrovis: Perception of Ecological Transformation of Mangrove Landscapes through Contemporary Sonic Arts Practice

Project lead: Pratyay Raha

A boat in the water

The research by Pratyay Raha asks how ecological sound art, acoustic ecology, and soundscape composition based on mangrove environments can provide a deeper understanding and engagement with the climate emergency and the emerging Anthropocene.

It also focuses on a comparative analysis of soundscapes in two mangrove ecosystems, one in India and one in Australia, to provide evidence of the global impact of climate change and ecological transformation.

This research project involves creating sound compositions, including sound maps, sound installations, text-based works on soundscapes, and albums, based on the ecological transformations of these two ecosystems. It will explore the tensions and transformations caused by climate change, biodiversity loss, land degradation, industrialisation, and excessive anthropogenic activities in the selected regions.

I aim to compare these two mangrove ecosystems by documenting the complex sonic interactions unfolding in two distinct locations: the Sundarbans, the world's largest mangrove delta located in Eastern India and Bangladesh, and the mangroves of northeast Queensland. My project is situated within the relatively short but significant history of acoustic ecology and eco-acoustics, drawing inspiration from the work of field recordists such as Philip Samartzis, Francisco Lopez, Peter Cusack, Yannick Dauby, Hildegard Westerkamp, Jana Winderen, and many others. These individuals have made substantial contributions to this field through their innovative research and advocacy for endangered habitats, which will significantly influence my research methods.

To read the full image descriptions, please click on the individual image above.


*Image credit

  • Pratyay Raha, Fieldwork in the Sunderbans 3
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business.