Anselma Forlano and Jorja Timms, ‘An insatiable desire: Sublimating sadness into textiles’

Using quilting, weaving, and tufting, Anselma Forlano and Jorja Timms channel icky sticky emotions into a trove of curated bambino blankets, exploring a desire to run away and be queer mothers.

2 – 25 November 2022

Opening night: Thursday 3 November, 5.30-7.30pm. Free, but RSVP essential via Eventbrite

A quilted fabric that has blue, black and yellow checks – the yellow part almost makes the pattern of a sun. Over the top of the check is text stitched onto the fabric in white which reads ‘now I lay me down to sleep, I pray the lord my soul to keep. Guide me safely through the night, wake me in the morning light. Amen’. Anselma Forlano, Jorja Timms, Child’s Prayer 2022. Courtesy the artists

Confrontation! What is this? An exploration.  

Don’t look too deep. Don’t get us wrong, there is much more to be seen, but what is surface level, is all we want you to admire, what is beyond that, is far too grim to indulge in, a femme sort of suffering, a queer ideologue, an uncertain admiration, and a certain sorrow. Creating works, that you could cuddle up and cry in, we attempt to comfort ourselves with ideas of rebirth and escape.

 Using quilting, weaving, and tufting, Anselma Forlano and Jorja Timms sublimate the icky sticky emotions (Insatiable horniness and unbecoming sadness) into a trove of curated bambino blankets exploring a desire to run away and be queer mothers.

 Follow us on a journey through our fantasy place and practice. We have nothing but yarn, fabric, and a desperate case to plead.

About the artists

Anselma Forlano is a Melbourne based multidisciplinary artist, currently enrolled in a Masters (Fine Arts). They work with queer and Feminist Methodologies to explore themes of love, gender, shame, and absurdity. The creation of ‘practical’ or ‘functional’ objects serves as an intersection between mundanity and performative excess which becomes the artist’s artifice on which to project queered feminist narratives.

Instagram: @anselma.forlano

Jorja Timms

Instagram: @jorjatimms

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business.