STAFF PROFILE
Dr. Harriette Richards
Harriette Richards is Lecturer, Fashion Enterprise in the School of Fashion and Textiles at RMIT University and is co-founder of the Critical Fashion Studies research group.
Dr Harriette Richards is Lecturer, Fashion Enterprise in the School of Fashion and Textiles at RMIT University, Melbourne. Previously, she was a Research Associate in the School of Culture and Communication at the University of Melbourne working on the ARC Future Fellowship project (2018-2022) ‘Modernism, Cosmopolitanism and Consumer Culture’ with Professor Natalya Lusty.
Harriette is co-founder of the Critical Fashion Studies research group and is currently working on projects investigating modern slavery, consumer culture and radical transparency in the Australian fashion industry and sustainable fashion innovation. Her research interests include fashion in Aotearoa New Zealand, settler colonial theory, melancholia, ethical and sustainable fashion, feminist framings of value and the future of fashion.
In 2021, she co-edited a ‘Fashion Futures’ special issue of Continuum: Journal of Media & Cultural Studies with Professor Natalya Lusty and Dr Rimi Khan. She has published in Q1 journals including Cultural Studies and Gender, Work & Organization and, most recently, has published work on Janet Frame’s ‘frock consciousness’ in Australian Feminist Studies and fashion’s transparency industry in the International Journal of Crime, Justice and Social Democracy.
- BUSM4798 "Fashion Enterprise Project Launch"
- SOCU2301 "Fashion, Textiles, Place and Story"
- 2012, BA (Hons) International Relations, Te Herenga Waka Victoria University, Wellington
- 2014, MA Sociology, Te Herenga Waka Victoria University, Wellington
- 2018, PhD Cultural Studies, Institute for Culture and Society, Western Sydney University
- Lusty, N.,Richards, H. (2024). Modern slavery legislation and the limits of ethical fashion In: Cultural Studies, 38, 322 - 347
- Richards, H. (2023). Melancholy Fashion Moods in Aotearoa New Zealand In: Fashion and Feeling, Palgrave Macmillan, Cham, Switzerland
- Richards, H.,Sellers, L.,Mattioli, F. (2023). Disruption, interrupted: Startups and social challenges in a government accelerator In: ANUAC, 12, 73 - 92
- Richards, H. (2022). Janet Frame’s Autobiographical Frock Consciousness In: Australian Feminist Studies, 37, 21 - 36
- Richards, H. (2022). Risk, Reporting and Responsibility: Modern Slavery, Colonial Power and Fashion's Transparency Industry In: International Journal for Crime, Justice and Social Democracy, 11, 47 - 60
- Richards, H. (2021). Rethinking value: ‘radical transparency’ in fashion In: Continuum, 35, 914 - 929
- Richards, H.,Hunt, Y.,Holm, C.,Doud, T. (2021). Industry dialogue: navigating complexity in the future of fashion In: Continuum, 35, 930 - 937
- Richards, H. (2021). Practices of cultural collectivity: Style activism, Miromoda and Maori fashion in Aotearoa New Zealand In: Critical Studies in Fashion and Beauty, 12, 131 - 149
- Richards, H.,Mattioli, F. (2021). Fashioning founders: Dress and gender in the entrepreneurial ecosystem In: Gender, Work and Organization, 28, 1363 - 1378
- Richards, H. (2021). Erasure, Forgetting and the Practice of Memory: Decolonising fashion in Aotearoa New Zealand In: Rethinking Fashion Globalization, Bloomsbury Publishing, London, United Kingdom
1 PhD Completions
- Critical Fashion Studies Podcast (Season Two). Funded by: Creative Victoria Creative Projects Fund from (2022 to 2023)