Image-Based Sexual Abuse: A Study on the Causes and Consequences of Non-consensual Nude or Sexual Imagery
Nicola Henry
Immersive Cartography and Post-Qualitative Inquiry: A Speculative Adventure in Research-Creation
David Rousell
The Lure of the Social
Gretchen Coombs
Larrikins, Rebels and Journalistic Freedom in Australia
Josie Vine
Material Media-Making in the Digital Age
Daniel Binns
The Female Gaze in Documentary Film
Lisa French
Automating Vision: The Social Impact of the New Camera Consciousness
Rowan Wilken
Ambient Play
Larissa Hjorth & Ingrid Richardson
Digital Domesticity: Media, Materiality, and Home Life
Jenny Kennedy, Rowan Wilken
Digital Food: From Paddock to Platform
Tania Lewis
Population, Mobility and Belonging
Robert Cover
Digital Media Sharing and Everyday Life
Jenny Kennedy
Giallo! : Genre, Modernity, and Detection in Italian Horror Cinema
Alexia Kannas
Masks in Horror, Cinema Eyes Without Faces - Horror Studies
Alexandra McCrea
The Smart Wife: Why Siri, Alexa, and Other Smart Home Devices Need a Feminist Reboot
Jenny Kennedy
Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11
Glen Donnar
Netflix Nations
Ramon Lobato
Contemporary Feminist Research from Theory to Practice
Dan Harris
Creative Practice Ethnographies
Larissa Hjorth, Anne Harris and Gretchen Coombs
Cultural Economies of Locative Media
Rowan Wilken
Emergent Identities: New Sexualities, Genders and Relationships in a Digital Era
Robert Cover
Flirting in the Era of #MeToo
Robert Cover
The Queer Life of Things
Dan Harris
100 Atmospheres
David Carlin
Atmospheres and the Experiential World
Sarah Pink
Locating Australian Literary Memory
Brigid Magner
Made in Australia and Aotearoa/New Zealand
Shelley Brunt
Transnational Migrations in the Asia-Pacific
Catherine Gomes
Corporate Social Responsibility, Public Relations and Community Engagement: Emerging Perspectives from South East Asia
Marianne Sison
Siloed Diversity: Transnational Migration, Digital Media and Social Networks
Catherine Gomes
Using Media for Social Innovation
Ellie Rennie
Deleuze, Cinema and the Thought of the World
Allan Thomas
American Australian Cinema
Adrian Danks
Quality Assurance in Asia-Pacific Universities
Catherine Gomes
Creating with Mobile Media
Marsha Berry
The Hollywood War Film
Daniel Binns
Transient Mobility and Middle Class Identity
Catherine Gomes
Deep Red
Alexia Kannas
Communicating Development with Communities
Linje Manyozo
Chatelaine
Bonny Cassidy
Behind glass doors: The world of Australian advertising agencies 1959-1989
Robert Crawford
The Politics of Widening Participation and University Access for Young People
Anna Hickey-Moody
Screen Ecologies: Art, media, and the environment in the Asia-Pacific region
Larissa Hjorth
Media, culture and human violence: From savage lovers to violent complexity
Jeff Lewis
Telemodernities: Television and transforming lives in Asia
Tania Lewis
Digital ethnography: Principles and practices
John Postill
Popular Music Scenes and Cultural Memory
Ian Rogers
Internet on the outstation: The digital divide and remote Aboriginal communities
Ellie Rennie
Julian Thomas
The Asia-Pacific in the Age of Transnational Mobility
Catherine Gomes
International Student Connectedness and Identity
Catherine Gomes
Lifestyle Media in Asia
Tania Lewis
The Near and the Far
David Carlin
Geoblocking and Global Video Culture
Ramon Lobato
Contemporary Australian feminist poetry
Bonny Cassidy
Companion to Robert Altman
Adrian Danks
The Abyssinian Contortionist
David Carlin
Multiculturalism through the lens: A guide to ethnic and migrant anxieties
Catherine Gomes
Health communication: a media and cultural studies approach
Jeff Lewis
The Informal Media Economy
Ramon Lobato
Julian Thomas
Final Theory
Bonny Cassidy
Rabbit Poetry Journal is a quarterly journal for non-fiction poetry to explore and interrogate the boundaries of non-fiction writing.
Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema.
Communication, Politics and Culture Journal was an interdisciplinary focusing on the connections between communication, cultural technologies and politics.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business.