STAFF PROFILE
Professor David Carlin
David is a writer, interdisciplinary creative artist, teacher and Professor of Creative Writing in the School of Media and Communication.
As a writer and interdisciplinary creative practice researcher, David develops and conducts research projects that use creative methods to tell, respond to and think with new stories about relations of difference, power, identity and collective worldmaking. His research interests include: the ethics, formal and methodological possibilities of literary nonfiction; creative methods and collaborative practices; writing, posthumanism and ecological responsiveness; new models of cultural exchange connecting literary cultures in the Asia-Pacific; and artistic responses to ageing and ageism.
David's books of literary nonfiction include The After-Normal: Brief, Alphabetical Essays on a Changing Planet (Rose Metal Press 2019, co-authored with Nicole Walker), The Abyssinian Contortionist (UWAP 2015), and Our Father Who Wasn't There (Scribe 2010). He co-authored the creative/scholarly book 100 Atmospheres: Studies in Scale and Wonder (Open Humanities Press 2019, with MECO Network), and co-edited two anthologies of new Asian and Australian writing, The Near and the Far, Vols 1&2 (Scribe 2016, 1019, with Francesca Rendle-Short). His award-winning essays have been published widely, including in LitHub, Meanjin, Overland, Griffith Review, Hunger Mountain, Terrain.org, Essay Daily, Westerly, and on ABC RN Soundproof.
Awards and Achievements
- Winner, Patricia Hackett Prize, Westerly (2019)
- Runner-Up, Hunger Mountain Creative Nonfiction Prize, U.S.(2018)
- Shortlisted, Woollahra Digital Literary Award for Nonfiction, Australia. (2018)
- Dean's Award for Integrated Scholarship, School of Media and Communication, RMIT (2018)
- Gold Award, Best Writing, New York Festivals Radio Awards, U.S. (2016)
- Gold Award, Best Sound, New York Festivals Radio Awards (2016)
- Silver Award, Best Directing, New York Festivals Radio Awards (2016)
- Silver Award, Best Documentary Arts and Culture, New York Festivals Radio Awards (2016)
- Melbourne Festival Commission, Victoria, Australia (2014)
- Finalist, Premiers Design Awards, Victoria, Australia (2013)
- Teaching Award, Programs that enhance Student Learning: 'The First Year Experience', RMIT, (2013)
- Varuna Writers Centre Second Book Fellowship (2011)
- Australian Teaching and Learning Council (ALTC) Citation, Outstanding Contribution to Student Learning (group award RMIT Media Program, 2008)
- Teaching Award, Outstanding Contribution Early Career Academic, RMIT University (2007)
- Certificate of Achievement, Significant Contribution to Innovation in Curricula, Learning and Teaching (group award to Media Program), RMIT University Teaching Awards (2007)
- SBS Independent commission, 2-part Documentary Series, $50,000, Australian Film Commission Production Investment, $100,000, Film Victoria Production Investment, $51,500, The Lifestyle Experts (2004)
- Australian Film Commission Development Investment, $15,000, Are You Too Busy To Watch This (2003)
- Invitations to Screen, in Competition, Amsterdam International Documentary Festival, Breaking Down Barriers Film Festival (Moscow, Russia), Cork Film Festival (Ireland), Sprout Film Festival, New York City, Out of Our Minds (2000 – 2002)
- SBS Independent Commission $50,000, Australian Film Commission Production Investment, $100,000, Film Victoria Production Investment, $20,000, Out of Our Minds (1998)
David co-directs the non/fictionLab research group and WrICE. He teaches studios in the BA Creative Writing, and supervises HDR candidates in Australia and through the PRS Asia Program based in Ho Chi Minh City, Vietnam.
David is co-President of the Board of the international NonfictioNOW Conference.
- PhD, University of Melbourne, 2009
- Grad. Dip. Film & Television, University of Melbourne VCA, 1996
- BA (Hons Drama and Cinema Studies), Flinders University 1986
David has a background of over twenty years professional experience in the arts and film industries prior to joining RMIT in 2006. He founded theatre and film companies, served as an Artistic Director, attracted multiple grants and had his work win awards and feature at arts and film festivals around the world. His documentary film, Out of Our Minds (SBS TV, 2000), screened in Official Competition at the Amsterdam International Film Festival (IDFA). He directed Circus Oz at the New Victory Theatre, NYC, in 1997. His play, Frankenstein's Children (1990), premiered at the Adelaide Festival and has been performed in Germany, Venezuela and around Australia.
David has been employed in a number of positions in the performing arts, including:
- Associate Director, Circus Oz (2001–2002)
- Show Director, Circus Oz (1997–1998)
- Artistic Co-ordinator, Melbourne Workers Theatre (1995)
- Artistic Director, Arena Theatre Company, Melbourne (1992–1994)
- Artistic Co-ordinator, Red Shed Company, Adelaide (1991–1992)
David has also held the following honorary positions:
- Director, Board of Management, Back To Back Theatre, Geelong (1996–2004)
- Director, Board of Management, Arena Theatre Company, Melbourne (1992–2000)
- Member, Minister's Advisory Panel, Victoria Commissions, Arts Victoria (1998)
- Founding Member, Management Collective, Red Shed Theatre Company, Adelaide (1986–1992)
- Ellis, M.,Rendle-Short, F.,Carlin, D.,Tope, L.,Aung Thin, M. (2023). Connecting literary cultures: towards a methodology for ethical encounter and exchange In: Journal of Public Pedagogies, 7, 1 - 15
- Rendle-Short, F.,Aung Thin, M.,Carlin, D.,Ellis, M. (2023). “Very communitas”: Testing a hypothesis in creative writing, methodologically In: Text (Australia), 27, 1 - 24
- Iyer, S.,Pang, A.,Carlin, D. (2022). Digital together: Creative writing, collaborative residencies and cultural exchange in a COVID-constrained world In: Text, 26, 1 - 20
- Carlin, D.,Cunningham, S.,Pang, A.,Wilkinson, J. (2022). Essaying the Impasse In: Fourth Genre: Explorations in Nonfiction Lansing, MI, USA
- Carlin, D.,Murray, P. (2020). Invisible mending (a disintegrated essay) In: Erasure Issue Worcester, MA, USA
- Carlin, D. (2020). Refresh, New Update In: Sydney Review of Books Sydney, Australia
- Aung Thin, M.,Carlin, D.,Pang, A.,Rendle-Short, F.,Wilkinson, J. (2020). When your practice is the research: A symposia-led model for the creative writing PhD In: Text: Journal of Writing and Writing Courses, 24, 1 - 22
- Ballard, S.,Brasier, H.,Buck, S.,Carlin, D.,Langley, S.,Lobb, J.,Magner, B.,McKinnon, C.,Michael, R.,Murray, P.,Rendle-Short, F.,Strahan, L.,Taylor, S. (2020). We thought we knew what summer was In: Axon: Creative Explorations Canberra, Australia
- Carlin, D. (2019). The Historian In: Meanjin Melbourne, Australia
- Carlin, D.,Rendle-Short, F. (2019). Worlds We can believe in In: The Near and the Far, Volume 2 Melbourne, Australia
14 PhD Completions and 1 Masters by Research Completions7 PhD Current Supervisions
- Connecting Asia-Pacific Literary Cultures: Grounds, Encounter and Exchange. Funded by: ARC Discovery Projects 2021 from (2021 to 2024)
- ACD-Engine: Enriching Cultural Data for Research, Industry and Government (Administered by UoM). Funded by: ARC LIEF via other University from (2021 to 2023)
- WrICE (Phase 2): RMIT Copyright Agency Asia-Pacific Partnership Program. Funded by: Copyright Agency Cultural Fund 2017 onwards from (2017 to 2018)
- The Abyssinian Contortionist (Part 2 - ACA). Funded by: Australia Council for the Arts Individuals and Groups 2016, Round 3 from (2017 to 2017)
- RMIT Copyright Agency Asia-Pacific Partnership. Funded by: Copyright Agency Cultural Grant 2014 from (2014 to 2017)