David Carlin

Professor David Carlin

Professor

Details

  • College: School of Media & Communication
  • Department: School - Media & Communication
  • Campus: City Campus Australia
  • david.carlin@rmit.edu.au

Open to

  • Masters Research or PhD student supervision

About

David is a writer, interdisciplinary creative artist, teacher and Professor of Creative Writing in the School of Media and Communication.

As a writer and interdisciplinary creative practice researcher, David develops and conducts research projects that use creative methods to tell, respond to and think with new stories about relations of difference, power, identity and collective worldmaking. His research interests include: the ethics, formal and methodological possibilities of literary nonfiction; creative methods and collaborative practices; writing, posthumanism and ecological responsiveness; new models of cultural exchange connecting literary cultures in the Asia-Pacific; and artistic responses to ageing and ageism.

David's books of literary nonfiction include The After-Normal: Brief, Alphabetical Essays on a Changing Planet (Rose Metal Press 2019, co-authored with Nicole Walker), The Abyssinian Contortionist (UWAP 2015), and Our Father Who Wasn't There (Scribe 2010). He co-authored the creative/scholarly book 100 Atmospheres: Studies in Scale and Wonder (Open Humanities Press 2019, with MECO Network), and co-edited two anthologies of new Asian and Australian writing, The Near and the Far, Vols 1&2 (Scribe 2016, 1019, with Francesca Rendle-Short). His award-winning essays have been published widely, including in LitHub, Meanjin, Overland, Griffith Review, Hunger Mountain, Terrain.org, Essay Daily, Westerly, and on ABC RN Soundproof.

Awards and Achievements :
- Winner, Patricia Hackett Prize, Westerly (2019)
- Runner-Up, Hunger Mountain Creative Nonfiction Prize, U.S.(2018)
- Shortlisted, Woollahra Digital Literary Award for Nonfiction, Australia. (2018)
- Dean's Award for Integrated Scholarship, School of Media and Communication, RMIT (2018)
- Gold Award, Best Writing, New York Festivals Radio Awards, U.S. (2016)
- Gold Award, Best Sound, New York Festivals Radio Awards (2016)
- Silver Award, Best Directing, New York Festivals Radio Awards (2016)
- Silver Award, Best Documentary Arts and Culture, New York Festivals Radio Awards (2016)
- Melbourne Festival Commission, Victoria, Australia (2014)
- Finalist, Premiers Design Awards, Victoria, Australia (2013)
- Teaching Award, Programs that enhance Student Learning: 'The First Year Experience', RMIT, (2013)
- Varuna Writers Centre Second Book Fellowship (2011)
- Australian Teaching and Learning Council (ALTC) Citation, Outstanding Contribution to Student Learning (group award RMIT Media Program, 2008)
- Teaching Award, Outstanding Contribution Early Career Academic, RMIT University (2007)
- Certificate of Achievement, Significant Contribution to Innovation in Curricula, Learning and Teaching (group award to Media Program), RMIT University Teaching Awards (2007)
- SBS Independent commission, 2-part Documentary Series, $50,000, Australian Film Commission Production Investment, $100,000, Film Victoria Production Investment, $51,500, The Lifestyle Experts (2004)
- Australian Film Commission Development Investment, $15,000, Are You Too Busy To Watch This (2003)
- Invitations to Screen, in Competition, Amsterdam International Documentary Festival, Breaking Down Barriers Film Festival (Moscow, Russia), Cork Film Festival (Ireland), Sprout Film Festival, New York City, Out of Our Minds (2000 – 2002)
- SBS Independent Commission $50,000, Australian Film Commission Production Investment, $100,000, Film Victoria Production Investment, $20,000, Out of Our Minds (1998)

David has a background of over twenty years professional experience in the arts and film industries prior to joining RMIT in 2006. He founded theatre and film companies, served as an Artistic Director, attracted multiple grants and had his work win awards and feature at arts and film festivals around the world. His documentary film, Out of Our Minds (SBS TV, 2000), screened in Official Competition at the Amsterdam International Film Festival (IDFA). He directed Circus Oz at the New Victory Theatre, NYC, in 1997. His play, Frankenstein's Children (1990), premiered at the Adelaide Festival and has been performed in Germany, Venezuela and around Australia.

Non-academic positions

  • Associate Director
  • Circus Oz
  • , Australia
  • 2001 – 2002
  • Show Director
  • Circus Oz
  • , Australia
  • 1997 – 1998
  • Artistic Co-ordinator
  • Melbourne Workers Theatre
  • , Australia
  • 1995 – 1995
  • Artistic Director
  • Arena Theatre Company
  • Melbourne, Australia
  • 1992 – 1994
  • Artistic Co-ordinator
  • Red Shed Company
  • Adelaide, Australia
  • 1991 – 1992

Supervisor projects

  • Practice Research Enquiry into Poetry as Performance
  • 4 Jun 2024
  • How Creative Practice Can Shed Light on the Lesser Known Microhistories of Singapore
  • 30 Jun 2023
  • Creative writing and publishing: play, experiments and new directions
  • 1 Jun 2023
  • Essaying the Asylum: Explorations of Ethics and Voice in First-person Documentary Practice
  • 9 Mar 2023
  • Madness, Knowing and Narrating: The Aesthetic Form of Neurodivergent Literary Memoir
  • 10 Jan 2023
  • Re-imagining the Archipelago
  • 10 Aug 2022
  • Towards Amphibious Aesthetics: Exploring Narrative Through Hybrid Writing
  • 25 Jul 2022
  • The Blue House/ On Flower Time: A Slow Methodology for Experimental Life Writing
  • 23 Jul 2021
  • Exploring the conditions and boundaries of an Asian-Australian writing practice
  • 23 Jul 2021
  • You Are What You Feel: The Feeling of Precarious Work in the Contemporary Novel
  • 13 Dec 2018
  • Always Already Translated: A Singapore Poet in Translation
  • 13 Aug 2018
  • Writing the Multiple: From Chapalang to Confluence
  • 1 Aug 2016
  • For Me to be Photographed with: Towards a Non-Representational new Materialist Self-Portrait
  • 19 Feb 2015
  • Across the Gap: Writing third-generation Holocaust literature
  • 4 Mar 2013
  • Drawing a Line through Place: Dislocating Place through Locative Sound Composition
  • 28 Feb 2011

Teaching interests

Creative non-fiction; film and television documentary and drama practice; memory and trauma studies; convergent media practice.

Research interests

Performing Arts and Creative Writing, Film, Television and Digital Media, Design Practice and Management, Architecture, Education Systems, Cultural Studies
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.