As Dean, Professor French leads the School of Media and Communication, delivering academic leadership, vision and strategic direction advanced by innovation, creativity, industry engagement and debate.
Appointed Dean of the School of Media and Communication in 2017, Professor French is an award-winning educator, internationally recognised for her scholarship and research on women in film and television. Her repute in film and television and film studies is based on both research and engagement. She has served on Screen Australia’s Gender Matters Taskforce and is a lifetime member of both the Australian Film Institute (AFI) and Women in Film and Television (WIFT).
She has written more than seventy academic publications, produced films, industry reports, articles in the press and funded local and international research projects. Her books include the The Female Gaze in Documentary Film: An International Perspective (2021); co-authored Shining a Light: 50 Years of the Australian Film Institute (2009 & 2014), and Womenvision: Women and the Moving Image in Australia (2003).
Her film projects include producing the film Birth of a Film Festival (2003), a documentary about the first Melbourne International Film Festival. Her professional history includes three years as the director of the prestigious St Kilda Film Festival and nine years as a director of the AFI. She is currently the co-chair of a UNESCO 19 global university research network on media, gender and ICTs. The cornerstone of her academic practice, and the values that underpin it, are founded on a commitment to diversity (particularly gender and Indigeneity) and to industry engagement to drive innovation.
Her research interests are largely focused on Australian film, film studies, media and gender. She has published widely in these fields in local and international journals. Her PhD and MA research were both interested in gender and Australian film. Her PhD is titled ‘Centring the female: the articulation of female experience in the films of Jane Campion’ and explores the aestheticisation of female experience in the cinema. Her MA explored contemporary Australian women filmmakers and the expression of feminism in their work.
Current research includes an international project funded (2019 & 2020) by a grant from UNESCO’s IPDC program to increase gender sensitivity in media, gender and ICT curricula.
French is the recipient of numerous awards, including four RMIT teaching and research awards and two Australian Teaching and Learning Council Citations (federal government):
- For sustained leadership in research-led Cinema Studies and Media curricula that fosters independent learning and innovation through student-centred, industry-engaged learning
- For the collaborative delivery of a program that enhances student knowledge through integrating process-based learning with practice, and fostering links between pedagogy and industry (team citation).
As Dean, French is responsible for the academic leadership, vision and strategic direction of the School, particularly in linking industry, innovation and research with taught programs, research degrees and the student experience; for developing and delivering high quality teaching and research; and effectively leading staff and deploying resources towards RMIT’s and the School’s strategic aims.
In addition to her role as Dean, French has made a contribution to the leadership of RMIT through service on:
- RMIT University Academic Board
- RMIT University Research Committee
- RMIT Art Acquisition Committee
- Design Hub Program Advisory Network
- The Capitol Theatre Reactivation Project Control Group and other key projects and committees.
French also undertakes substantial external service through activities including:
- co-chairing a UNESCO network that aims to promote gender equality and women’s participation in and through media on a global scale through research, education and advocacy
- participating on industry boards and committees, including the Editorial Board of The Conversation
- collaborating with a range of consultancies, including for the Australian Centre for the Moving Image (ACMI), the AFI, the Australian Writers’ Guild (AWG) and Film Victoria.
French’s professional history includes a broad range of experiences in screen culture, including extensive curatorial, leadership and management experience. She was the Director of the St Kilda Film Festival for three years and served nine years as a director of the national screen culture body, the AFI. She has produced several documentary films that have been broadcast or screened at prestigious festivals. She has served on numerous industry boards, including Screen Australia's Gender Matters Taskforce; the Melbourne International Film Festival (MIFF) and the Australian International Documentary Conference and Film Festival (AIDC). In 2017, she was invited to become an accredited international member of the Australian Academy of Cinema and Television Art (AACTA).
Research fields
360505 Screen media
UN sustainable development goals
10 Reduced Inequalities
5 Gender Equality
9 Industry, Innovation and Infrastructure
16 Peace, Justice and Strong Institutions
4 Quality Education
Supervisor projects
Which pathways lead women to successful careers in the Australian film industry
16 Aug 2023
The Image of Women in the Revolutionary Opera Films of the Chinese Cultural Revolution (1966-1976)
22 Jul 2013
Big Girl: The Taboo of Menstruation in Contemporary Sri Lankan Cinema
4 Mar 2013
Like a Superman on Mars: Transnational Movement, Belonging, and Limbo in Biographic Narrative Interviews with Australian Hazarads
19 Nov 2012
Research interests
Film, Television and Digital Media, Communication and Media Studies, Cultural Studies, Other studies in Human Society, Specialist Studies in Education, Curriculum and Pedagogy
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.