Professor Williams currently leads a research project based in the Centre for Urban Research in the School of Global and Urban Studies, and the AEGIS research group in the School of Art.
Williams is a cultural historian in the interdisciplinary field of environmental humanities with a focus on histories of human-animal relations, particularly histories of the longue durée and their relation to the current issue of mass species extinction. She has a particular research interest in philosophies of nature and histories and theories of emotions along with a sustained interest in the long 17th century.
Along with many invited keynotes, she has curated several major international exhibitions, is a regular peer-assessor and doctoral examiner. She was an invited fellow on Ocean Ecologies and Imaginaries at the Humanities Research Institute, UCLA at Irvine, and is currently a research associate in Multidisciplinary Environmental Humanities at the University of Cologne in Germany.
She currently leads an ARC Linkage Project: Extinction Imaginaries: Mapping Affective Visual Cultures in Australasia with NGO Partners: Saffron Aid & Greenpeace, and a team with Professor Paul James (WSU); Professor Marco Amati (RMIT); Professor Donna Houston (Macquarie), and Dr Rosie Ibbotson (University of Canterbury, NZ).
Industry experience:
- Research Affiliate; Multidisciplinary Environmental Humanities , University of Cologne.
- Global Associate, Circles of Sustainability, Institute for Culture and Society, Western Sydney University.
- Member Society for the History of Emotions
- Associate of NZCHAS -New Zealand Centre for Human-Animal Studies, University of Canterbury.
- Membership and peer-review of several editorial boards for peer-reviewed journals.
- ARC Peer reviewer.
- Invited Fellowship: Ocean Ecologies and Imaginaries University of California Humanities Research Institute, UCLA at Irvine, Los Angeles.
- (2015 and 2016) Associate Investigator at the ARC Centre of Excellence for the History of Emotions.
- (2015 and 2016) President of ASLEC-ANZ – The Association for the Study of Literature, Culture and Environment Australia and New Zealand
Supervisor projects
Extinction Imaginaries
16 Feb 2024
Theres no going back: chaos and destruction as compositional strategies in performance and video
4 Jan 2022
The Smallest Measure: signifiers of atmospheres in transformation
18 Jun 2020
Being Weird: Collaboration, Contamination, and Worlding with Nonhumans
15 Mar 2019
Fluid to Arid: Exploring the Notions of Life and Loss Through the Lens of the Lut Desert Geography
21 Aug 2018
Snowman Killer: Art, Spatial Relations & the Mobilities Turn
18 Jun 2018
Forge, Fire, Quench: Transposing the Transformative Processes of Traditional Blacksmithing into Contemporary Sculptural Practices
16 Feb 2018
Mnemonic Mountain
2 Jan 2018
Ocean Observatory: A Proposition for a Marine Dwelling
1 Mar 2017
Ecologies of dark, light, and time: a material poetics of human-animal encounters in the city.
27 Mar 2015
Sculpture and the Contested Ground of Public and Private Space
5 Aug 2014
The Art of Biophilia. Fabricating Affective Connections between Human and Nonhuman through Figurative Art
3 Jan 2014
Princes Park and the Persian Garden: Re-imagining Urban Parklands in Australia and Iran Through Online and In Situ Art Practice
1 Mar 2013
Teaching interests
Research Only
Research interests
History and Philosophy of Human-Animal relations, Multispecies Ethnography, Cultural History & Theory, Extinction Studies, Philosophies of nature, the arts and environmental history & theory
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.