STAFF PROFILE
Professor David Thomas
Position:
Emeritus Professor
College / Portfolio:
Design and Social Context
Email:
david.thomas@rmit.edu.au
Campus:
City Campus
Contact me about:
Research supervision
- The Joseph Beuys/Social Sculpture Research Project in the School of Art. Funded by: Ian George Contract from (2014 to 2014)
24 PhD Completions and 5 Masters by Research Completions
Painting, installation, photopainting; time, timing, duration, perception, concrete art, composites, social sculpture, monochrome, Eastern Western Art, transcultural practice
- Thomas, D. (2018). Considering 'Impermanent Durations: On Painting And Time' In: Journal of Contemporary Painting, 4, 102 - 129
- Thomas, D. (2016). David Thomas: Impermanences In: David Thomas: Impermanences New York, United States
- Thomas, D.,Harland, B.,Woo, I. (2016). Impermanent Durations; On Painting and Time In: Impermanent Durations; On Painting and Time Singapore
- Thomas, D. (2015). Colour Field: Paint as Light Series In: The Kaleidoscopic Turn Melbourne, Australia
- Thomas, D. (2014). Shelf In: Situation Symposium: SItuating practices and research Melbourne, Australia
- Thomas, D. (2014). Timeline paintings and photopainting interventions In: Dahlhausen Viral Kunstmuseum Ahlen, Germany
- Thomas, D. (2014). Walking, drawing and writing: Wimbledon and Bonnard In: The Drawn Word: 'Even if I write my name I am Drawing', Studio international and the Studio Trust, New York City, USA
- Thomas, D. (2013). When two directions become all Directions Paintings and Photopaintings David Thomas In: Farbenfreunde. Dialogue: Rolf Rose and David Thomas Bonn, Germany
- Thomas, D. (2013). When two directions become all directions In: Melbourne Now Melbourne, Australia
- Thomas, D. (2012). How to work better: Supervising for Ph.D. exhibition In: Supervising Practices for Postgraduate Research In Art, Architecture and Design, Sense Publishers, Rotterdam