Dr Sarah Tomasetti is a Lecturer in the School of Art and currently co-lead of the Painting Area. She is a specialist in medieval material technologies such as fresco, encaustic, sgraffito and stucco lucido, holding a technical qualification from Laboratorio Tintori in Prato, Italy. Her doctoral research examines how working with the matter-energy of slaked lime that requires the slow sensing of moisture, temperature and molecular interaction, can constitute a correspondence and entanglement with the living world through making. Recent works explore diverse mountain imaginaries, examining how cultural narratives inflect the ways imagine, traverse, worship and destroy mountainous regions, and how engaging ancient material agencies through art practice can re-sensitise relations with the more than human world.
EDUCATION
2023 Doctor of Philosophy in Fine Art, RMIT University
1999 Master of Arts in Fine Art by Research, RMIT University
1995 Professional Qualification in `Tecnica Pittura Murale’ Laboratorio Tintori
1994 Graduate Diploma in Fine Art, RMIT University
Graduate Diploma in Italian Studies, La Trobe University (fluent speaker of Italian)
1988 Bachelor of Fine Art, Drawing Major, Victoria College, Prahran Campus
EXHIBITIONS
2025 Upcoming, Sediment, Australian Galleries, Melbourne
2023 Breathing Stone, Australian Galleries, Melbourne
2022 Celestial Ground, Beaver Galleries, Canberra
2019 Wayfaring, Beaver Galleries, Canberra
2018 Postcard from the Roof of the World, Australian Galleries
2018 Silver Mountain, The Art Vault, Mildura
2016 Influxus, Beaver Galleries, Canberra
2015 Traverse, Janet Clayton Gallery, Sydney
2014 Quiet/Disquiet, Australian Galleries, Melbourne
2013 Surface of Last Scattering, Beaver Galleries, Canberra
2011 At the Edge of the Known World Janet Clayton Gallery, Sydney
2009 Liminal, Janet Clayton Gallery, Sydney
2008 Penumbra, Christine Abrahams Gallery, Melbourne
2006 Between Worlds, Christine Abrahams Gallery, Melbourne
2004 Nostalgia, Wagga Wagga Regional Art Gallery & Grafton Regional Gallery
2003 Temporality, Christine Abrahams Gallery, Melbourne
2001 Sarah Tomasetti, Christine Abrahams Gallery, Melbourne
Selected GROUP EXHIBITIONS
2024 Stone Heart, VVREN Gallery, Carlton, Melbourne
2024 The Anxiety Project, The Art Room, Footscray and the DAX centre, University of Melbourne
2023 Rituals of Embodied Knowing, cbOne Gallery, Melbourne (CURATOR)
2022 The Living Birrarung, Chapman and Bailey Gallery, Melbourne
2017 Flow. Counihan Gallery, Melbourne. Part of ClimARTe 2017
2016 Group exhibition with Hanna Kay and su Archer. Muswellbrook Regional Arts Centre and Tamworth Regional Gallery NSW
2015. The Warming, Art+Climate=Change event across 23 Victorian Venues including Australian Galleries in collaboration with ClimARTe.
2013. Reading the Space: Contemporary Australian Drawing #3, Studio School, New York. Curator Irene Barberis.
2012. From Paper, Janet Clayton Gallery at Beijing Artspace, Beijing China
2012. Contemporary Austrlian Drawing 2: Drawing as notation, text and discovery, University for the Arts, London
2011 Salon des Refuses, SH Erwin Gallery, Sydney
2010. Copntemporary Australian Drawings !, RMIT Gallery, Melbourne.
2010. Salon des Refuses, SH Erwin Gallery, Sydney
2001. Insap III, Palermo, Italy
1999. RMIT Fine Art, Hong Kong Arts Centre, Hong Kong
1998 Affreschi, Galleria del Commune, Monterchi, Italy
1994. Indwelling, Temple Studios, Melbourne.
CONFERENCE PRESENTATIONS
Tomasetti, S. (2024) Seven Minutes to an Authentic Response. "How a generative writing practice can decenter curriculum and resist the generic seductions of AI generated text." ACUADS conference Regeneration, Repair and Care. Held Online
Tomasetti, S. (2022) The Language of Art and Ritual. Templeton Project conference. ACU Rome Campus
Tomasetti, S. (2021) Material Repetition on the Threshold of the Unknown. The European Council of World Religions. Held Online.
Tomasetti, S. and Hesterman, H. (2015). Deep Time: A collaborative reimagining of the familiar through contemporary art practice. AEV Annual Conference, National Gallery of Victoria.
RESIDENCIES
2024 – The Kenneth Myer Residency at Whare Kea Chalet, New Zealand
2019 – to Uttarakhand with anthropologist Dr Jane Dyson from the University of Melbourne, funded by ARC Discovery Project.
2018 – The Art Vault, Mildura, to develop the intersection of printmaking and the new form of the fresco skin.
1992 – Bookbinding internship at the University of Ann Arbor, Michigan
1989 – 6 month residency with Monash University on Qamea island, Fiji.
GRANTS
2021-2022 Art Seeking Understanding. A project funded by the Templeton Trust investigating the enactment of ritual in artistic practice.
2014 Artists in Schools Grant with Heather Hesterman and Spensley St Primary School. Arts Victoria and the Victorian Education Department
1995 Scholarship from the Region of Tuscany to study fresco and restoration techniques at the Laboratorio di Vainella in Prato, Italy.
AWARDS
2024 Shortlisted, The Fleurieu Prize for Landscape, McLarenvale, SA
2021 Shortlisted, The Gosford Art Prize Gosford Art Gallery, NSW
2020 Shortlisted, The Jacaranda Acquisitive Drawing Award, Grafton NSW
2020 WINNER, The John Leslie Prize for Landscape, Gippsland Art Gallery
2019 Shortlisted, The R&M McGivern Prize, Maroondah Art Gallery
2018 Shortlisted, John Leslie Prize for Landscape, Gippsland Art Gallery
2018 Highly Commended, Fleurieu Prize for Landscape, South Australia.
2017 Invited The Kedumba Drawing Award Orange Regional Gallery, NSW.
2016 Shortlisted, John Leslie Prize for Landscape, Gippsland Art Gallery
2014 Shortlisted, Paul Guest Prize for Drawing, Bendigo Art Gallery
Shortlisted, John Leslie Prize for Landscape, Gippsland Art Gallery
2013 Shortlisted, Fleurieu Prize for Landscape, South Australia
The 42nd Muswellbrook Art Prize, Muswellbrook Regional Arts Centre NSW
2011 Selected Salon des Refuses, SH Erwin Gallery, Sydney
Shortlisted, Tattersalls Landscape Prize, Brisbane
2010 Selected Salon des Refuses, SH Ervin Gallery, Sydney
2009 Shortlisted The Heysen Prize, The Hahndorf Academy, Hahndorf, SA
2005 Shortlisted ABN AMRO Emerging Artist Award Exhibition
2003 Shortlisted, Nillumbik Art Prize, Nillumbik, VIC
1999 Acquired Jacaranda Acquisitive Drawing Award, Grafton Regional Gallery, NSW
Dr Sarah Tomasetti has over 20 years experience teaching undergraduate drawing and painting and supervising honours and masters of fine art research projects. She is interested in developing pedagogical methods that decenter curriculum, foster inclusion and make space for diverse ways of knowing, with a particular focus on the intersection of practice and writing.
Practice led research, material agencies, environmental imaginaries, subjugated knowledges.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.