STAFF PROFILE
Miss Kate Geck
Position:
Lecturer
College / Portfolio:
Design and Social Context
School / Department:
DSC|School of AUD
Email:
kate.geck@rmit.edu.au
Campus:
City Campus
Kate coordinates Communications courses in the Bachelor of Interior Design. She works with immersive technologies to explore emerging spatial and temporal realities within digital and sensory space.
Kate Geck is an artist working with digital and sensory space through media and fabrication techniques that include neon, textiles and code. Her work explores ways to materialise the psychosocial effects of network culture and ways to design technological experiences that centre wellbeing. She has exhibited in Australia, Hong Kong, North America and Europe with awards and commissions from a number of Australian arts organisations. She is an Industry Fellow in Interior Design at RMIT, where she is also undertaking a PhD in Design exploring speculative XR spaces and their attentiveness to wellbeing.
Email Monday, Wednesday, Thursday, Friday
2009 Bachelor Fine Arts (Honours) QUT
2010 Masters Fine Art RMIT
Kate has worked with a range of creative clients on interactive surface design and immersive artworks including Polyglot, Channels Festival, Gertrude St Projection Festival, GLOW Festival, Nextwave, West Projections, ACMI, 100 Stories, Lifted Brow, Liquid Architecture, Experimenta, VAMFF, Melbourne Fashion Week, Fog Theatre and has presented creative work internationally at ISEA, NARS NYC, Athens Digital Art Festival, Textile Arts Center NYC, WRONG Biennale, Hong Kong Business of Design Week, L'Atelier Kunst, Institute of Contemporary Art Singapore. She has received grants from bodies such as Australia Council, Ian Potter Cultural Trust, Copyright Council, City of Yarra, City of Melbourne for her creative work. Kate has designed a range of technology oriented community arts projects with young people since 2008 with spaces such as Signal, Charcoal Lane, Social Studio, and within juvenile justice. She was the media artist at Artful Dodgers Studios from 2010 - 2017 where she developed the Spectrum of Practice model for community arts engagement and led the design and delivery of the interactive media program and facilities.
- Hamilton, O.,Dann, Y.,Geck, K. (2023). Interior Imaginings: Centring curiosity and imagination as key design tools in first year In: Charette, 9, 97 - 115
- Geck, K. (2023). Machine Imaginings In: International Symposium of Electronic Art, 2023 + Dark Mofo Festival, 2023 + Assembly Point, 2022 Paris, France; Hobart, Tasmania and Melbourne, Australia
- Geck, K. (2023). Mycorrhizal Materialities In: International Symposium of Electronic Arts Paris, France
- Geck, K. (2023). Impossible Evolutions In: Wild Hope Melbourne, Australia
- Luke, E.,Glover, J.,Geck, K.,Khoo, C. (2022). Post Digital Objects Exhibition In: Post Digital Objects Exhibition Melbourne
- Luke, E.,Geck, K.,Glover, J.,Pokrovsky, J. (2022). Crypto Mori In: Post Digital Objects exhibtion, Melbourne Design Week 2022 Melbourne
- Geck, K. (2022). Polyphonic Materiality in Extended Reality In: Proceedings of the 27th International Symposium on Electronic Art, Barcelona, Barcelon, Spain, 10/06/2022- 16/06/2022
- Geck, K. (2022). Knitting Algorithmic Assemblages In: Textile: The Journal of Cloth and Culture, , 1 - 18
- Luke, E.,Khoo, T.,Geck, K.,Glover, J. (2021). Data Heirlooms In: Data Heirlooms Melbourne Australia
- Choi, H.,Geck, K.,Tiquia, A.,Mccarthy, S.,Walpole, H. (2021). More-than-Human Derive In: Melbourne Knowledge Week and Uroboros Festival Melbourne, Australia and Online
- Information, Linkages and Capacity Building - Social and Community Participation 2020-21 (Melodic Motions). Funded by: Department of Social Services grants 2014 onwards from (2021 to 2024)
- Polyphonic Motions. Funded by: Australia Council for the Arts Re-imagine: Sector Recovery Initiatives from (2021 to 2022)
- More-than-Human Derive @ Melbourne Knowledge Week 2021. Funded by: City of Melbourne - Contract from (2021 to 2021)