Stephen Gaunson

Associate Professor Stephen Gaunson

Associate Professor

Details

  • College: School of Media & Communication
  • Department: School - Media & Communication
  • Campus: City Campus Australia
  • stephen.gaunson@rmit.edu.au

Open to

  • Masters Research or PhD student supervision
  • Media enquiries

About

Dr Gaunson is Director of Higher Degrees Research in the College of Design & Social Context. In the School of Media & Communication he teaches undergrad courses and supervises postgrads in the area of cinema studies.

Steve researches on national and international cinema industries. Over the past few years, a significant focus of his research has been investigating the social act of going to the cinema. Having built national standing as a leading authority during this time, in 2022 he secured a grant to research the history of Hoyts Cinemas in Australia, which will deliver a series of impactful outcomes including a book, under contract.

Steve is Higher Degree Research Director, DSC, which is one of three academic colleges at RMIT consisting of eight schools and 750 HDR candidates across a broad range of disciplines and with presence in Vietnam, Barcelona, Singapore and China. He leads HDR College activity as it relates to industry partnered projects, internships and international recruitment strategies.

In the School of Media & Communication, Steve teaches undergraduate cinema courses on adaptation, documentary, national cinema & film history.

He can be regularly heard on ABC Melbourne and Radio National as an expert commentator on the national film industry.



Recent engagement activities
Public speaking

Gaunson, Stephen. 2023. Keynote, 'Crazed Juveniles: 1950s and the Birth of the Japanese Jazz Movie', Japanese Film Festival.
Gaunson, Stephen. 2022. Conference paper, 'Bawdy Melbourne: 1971, Tim Burstall's Stork and the birth of the ocker comedy'. Massey University, New Zealand, 30 November-2 December.
Gaunson, Stephen, 2023. Introduction to Portrait of a Lady on Fire, Best Pictures You've Never Seen, The Capitol Theatre, 21 February.
Written commentary

Gaunson, Stephen. 2023. 'Roald Dahl was a bigot and beloved children's author. Wes Anderson shows both sides of this complicated persona', The Conversation, 16 October. Republished in The Canberra Times, Newsweek Japan
Gaunson. Stephen. 2023. "The Woman Suffers: 'South Australia's greatest film production'" (Raymond Longford, 1918), CTEQ Annotations on Film, Senses of Cinema, September.
Current external funding

Gaunson, Stephen, $112, 000, Hoyts presents...: The Incredible History of Australia's Oldest and Largest Cinema Company,


Steve continues to work as a film script editor and assessor. From 2005-2007 he worked for the Irish film company, De Facto Films where he is credited as Script Editor on the produced feature films:

Kings, De Facto Films (Tom Collins, Ireland, 2007), Irish Film and Television Awards – Best Film (2007)
Dead Long Enough, De Facto Films (Tom Collins, Ireland, 2005), Cardiff Film Festival – Audience Award Winner (2006)
From 2018-2019 Steve was a weekly guest on ABC Melbourne radio with host Myf Warhurst discussing film industry news. Since this time has appeared on several ABC radio programs across the country, and ABC television including The World where he was a regular guest during the the COVID pandemic on impacts to the global film industry.

Steve often hosts live film events including Q&As with filmmakers.

Steve regularly writes film commentary articles for national outlets including The Conversation, The Canberra Times & Senses of Cinema.

Steve can be contacted for expert media commentary on the film industry.

Non-academic positions

  • Script Editor
  • Irish film company
  • , Ireland
  • 2005 – 2007

Supervisor projects

  • Trade Secret: the undocumented history of the illegal hormone trades that took place between trans and gender diverse people in St Kilda in the 1980s
  • 3 Sep 2024
  • My {M}other: A screenwriter’s ficto-critical journey of return, reconciliation, and becoming
  • 21 Aug 2023
  • Which pathways lead women to successful careers in the Australian film industry
  • 16 Aug 2023
  • Nanomaterial Coatings to Prevent Plant Diseases
  • 12 Jul 2023
  • How Creative Practice Can Shed Light on the Lesser Known Microhistories of Singapore
  • 30 Jun 2023
  • Identification of a Wrestling Fan: Understanding Migrant Experiences through an Autoethnographic Documentary on Melbourne's Wrestling Community
  • 1 Mar 2021
  • The Kennedy Miller Method: A Half-Century of Australian Screen Production
  • 16 Apr 2019
  • Fact, Fiction and Folk Horror: A Cross-Genre Experiment in Music Biopic Screenwriting
  • 13 Dec 2018
  • From Repetition To Remaking: An Autistic Filmmaker's Exploration Of Repetitious Cinematic Practices
  • 1 May 2018
  • My Unhallowed Arts: Hybridising and Remixing the Creation Scene from Frankenstein to Stitch Together New Screenwriting Methods
  • 1 Feb 2018
  • Sceneplay - "'A Screenwriting Project of Non-compliance'
  • 1 Feb 2018
  • Motherhood, the Maternal and Childlessness in the Contemporary Western
  • 29 Feb 2016

Teaching interests

National Film Industries, Documentary, Adaptation Studies, Cinema History, Historical Cinema, Screenwriting Histories, and Cinema Exhibition

Research interests

Film, Television and Digital Media, Cultural Studies, Performing Arts and Creative Writing, Historical Studies
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.