Brad Haylock

Associate Professor Brad Haylock

Associate Dean, Communication Design
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Details

Open to

  • Masters Research or PhD student supervision

Supervisor projects

  • Decoding Bias in Generative AI: Designing Equitable Algorithmic Systems
  • 23 Jul 2024
  • ONE PUBLISHES TO FIND COMRADES: Critical Fashion Publishing, Publishing Critical Fashion Practice
  • 10 Jan 2024
  • Who are you wearing?
  • 15 Nov 2023
  • Language and love as performative and participatory practice within exhibition, public and introspective space
  • 17 Oct 2023
  • Simultaneous Interpretation
  • 2 Mar 2023
  • Buildings blocks of transformational change
  • 25 Jan 2023
  • Generative Possibilities in Communication Design & Data Visualisation
  • 11 Jan 2023
  • Making Creative Ecologies Public in the UNESCO Creative City of Melbourne
  • 25 Nov 2022
  • The Bioscope: Codesign Enabled Conversations About Death With Palliative Care Practitioners
  • 24 Aug 2022
  • Front, back and side effects: the art of framing fashion
  • 2 Aug 2021
  • The Layered Image: Staging Silent Interior Atmospheres in Light and Darkness
  • 27 Mar 2021
  • Cultivating the untimely: graphic design methodologies to perceive alternate presents and possible futures
  • 27 Nov 2020
  • The Museum is not enough. Content and Space.
  • 1 Oct 2020
  • A Knowing Wrongness: Innovation in Graphic Design through Combinations of Traditional Mastery and Deliberately Unconventional Approaches
  • 18 Mar 2020
  • Expanding Co-design through Cosmovision
  • 18 Feb 2020
  • Isomorphism in Communication Design
  • 18 Apr 2019
  • Representations of the South: A Decolonial Analysis of Visual Communication in Crónica Magazines
  • 12 Mar 2019
  • Fetishising Language: Typography and Postfeminism in Late Capitalism
  • 27 Feb 2019
  • Community-led Independent Publishing with Marginalised Communities
  • 17 Jan 2019
  • Mode and Mode: Tactics for Publishing Fashion in the Margins
  • 2 Mar 2015
  • Material literacy: the significance of materials in graphic design ideation, a practice-based enquiry 
  • 22 Aug 2014
  • The Legible City: Stories of place told through a typographic lens.
  • 4 Aug 2014

Teaching interests

Communication design, Typography, Book design, Independent publishing, Critical design, Political art, Design theory, Design critisism, Design activism, Cultural studies, Baudrillard studies

Research interests

Design Practice and Management, Art Theory and Criticism, Architecture
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.

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