Kelly Hussey-Smith

Dr. Kelly Hussey-Smith

Senior Lecturer

Details

Open to

  • Masters Research or PhD student supervision

About

Dr. Kelly Hussey-Smith is a creative researcher specialising in photography as a social practice, the politics of representation, and art education. She is a Senior Lecturer in Photography at RMIT's School of Art and an active researcher and advisor for the Contemporary Art and Social Transformation Research Group (CAST).

 

With a background in documentary photography theory and practice, Kelly’s research intersects socially engaged art, visual culture, pedagogy, and political theory. She is particularly interested in the civil potential of art and photography, as well as the production of counter-histories. Kelly frequently collaborates across disciplines to develop research projects that connect the university to local issues through creative practice. Her current research focuses on visual politics, youth history-making, and collective art practices.

 

Kelly has received multiple awards for her teaching and curriculum design, including an Australian Council of University Art and Design Schools (ACUADS) Teaching Award for her work with 'The Photo Lab' and the 'Doing Visual Politics' education network (with Alan Hill), as well as an RMIT Award for Socially Engaged Curriculum for The Nurses and Midwives Art Exchange.

 

In 2018, Kelly developed 'The Photo Lab', a community-oriented education project based in Collingwood. Rather than treating collaboration and ethics as peripheral, her curriculum innovation centres these concepts by critically addressing "engagement" and foregrounding the relational and ethical aspects of collaborative work. Since 2016, she has collaborated with Dr Alan Hill on 'Doing Visual Politics', a cross-institutional project focused on creative practice as civil action co-created with photo.circle (Nepal), and Pathshala South Asian Media Institute (Bangladesh). 

 

Kelly has published numerous articles and book chapters in both refereed and non-refereed publications and exhibited her photography nationally and internationally. Recent writings focus on collaboration and ethics in arts-based education and documentary as a form of civil action. Her work has been exhibited at major institutions, including the National Portrait Gallery, the Institute of Modern Art, the Brisbane Powerhouse, and the Art Gallery of Ballarat, as well as at festivals such as Chobi Mela and the Bandung Photography Triennale.

 

Research fields

  • 360604 Photography, video and lens-based practice
  • 3606 Visual arts
  • 390105 Environmental education curriculum and pedagogy
  • 390303 Higher education
  • 3601 Art history, theory and criticism

Supervisor projects

  • Visualisations and materialisations of the tree in Indigenous art
  • 10 Oct 2024
  • You’ll Know It When You Feel It: Examining How Co-Created Archives Can Resist Bureaucratic Representations of Women Whose Lives Intersect with the Prison Industrial Complex
  • 22 Apr 2024
  • Dark Orange Sinensis: Anti-Ethnographic Approaches to Documentary Photography
  • 10 Jan 2024
  • An Inconvenient Curve: Unlearning Settler Colonial Representations of Birrarung
  • 14 Dec 2023
  • Turning into bad women: Understanding the perception about Bangladeshi Female Migrant workers in the community
  • 2 Mar 2023
  • Not tame enough
  • 4 Jan 2023
  • Reimagining War and a New Landscape of Conflict
  • 20 Oct 2022
  • Through A Glass Darkly: Documentary Photography and the Post-Truth Episteme
  • 8 Mar 2022
  • A Thousand Different Adventures
  • 15 Dec 2020
  • Safe Space as Praxis: Creating (Affective) Conditions for World-Building, Care and Futures for Young People in the Creative Arts
  • 3 Aug 2019
  • Bodies Beyond the Skin: Queer and Camp Inquiries of Australian Landscape Photography
  • 17 Aug 2018

Teaching interests

Dr Hussey-Smith teaches studio and theory courses with a focus on praxis. She is interested in how documentary and other social practices contribute to civil dialogue and partnerships. She has spent several years developing pedagogical approaches for community-oriented art education projects that centre community knowledge/s and causes.

 

She teaches across documentary, research methods and contexts (Honours), socially engaged art, and partnered projects. 

 

She has designed, written and delivered a number of undergraduate and honours courses and specialisations including: 

 

Picturing Power

Expanded Documentary

Social Documentary 

The Photo Lab: Collingwood Studio 

Research in Creative Practice (Honours Theory Course)

Honours writing workshops 

Forms for Encounter and Exchange (with Associate Professor Marnie Badham)

Doing Visual Politics: Creative Practice as Civil Action (with Dr Alan Hill)

The Nurses and Midwives Art Exchange (with Dr Ruth De Souza, Dr Fleur Summers, Dr Mark Edgoose and Professor Grace McQuilten)

 

Research interests

 

Research Interests:

 

Dr Kelly Hussey-Smith is a creative researcher focused on photography as a social practice, the politics of representation, and art education.

 

With a background in documentary photography theory and practice, her research aligns with the fields of socially engaged art, visual culture, pedagogy, and political theory. She is particularly interested in the civil potential of art and photography and its connections to, and engagement with the production of counter histories. 

 

HDR Supervision:

 

Dr Hussey-Smith supervises a number of creative practice PhD and Research Masters candidates in the School of Art in the areas of carceral aesthetics, co-creation and solidarity practices in contemporary art, settler-colonial histories of photography, and decolonial approaches to (documentary) photography. 

 


Community and Industry Engagement:


Dr Hussey-Smith regularly works with community-led initiatives, advocacy organisations, and industry partners on interdisciplinary research and education projects. Recent and current collaborators include Concentric Curriculum (Bus Projects), Good Cycles, The Nepal Picture Library, Care Leaves Australasia Network, Lotus Place, The Centre for Contemporary Photography, Collingwood College, the National Gallery of Victoria, The Social Studio and Composite Moving Image Bank and Agency and KTK Belt. 

aboriginal flag
torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.