Dr Glen Donnar is a researcher on screen representations of men and masculinities, stardom and celebrity, and lectures in Popular Culture and Asian Media & Culture.
Dr Donnar is a Senior Lecturer in the School of Media and Communication. His research on popular cultural and screen representations of men and masculinities, stardom and celebrity sits at the intersection of cultural and cinema studies.
Dr Donnar’s first book, Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 (UP Mississippi 2020) is the first multi-genre study of representations of masculinity following the emergence of violent terror in post-9/11 American cinema. The book demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across subgenres including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns. The book is endorsed by Professor Sean Redmond as “a must-have addition to the literature on 9/11 cinema”. The book has been widely recognised as a theoretically “innovative” (Men & Masculinities) and “meticulous examination” (New Review of Film and Television Studies) that“challeng[es] the reader to hereafter interpret this often-encountered cinematic genre in an entirely new light” (CHOICE).
Dr Donnar is completing a book on Ageing Masculinity in Hollywood Action Film (BFI) and a co-edited volume on Asian Celebrity and Digital Media (Hong Kong UP). He is a member of the editorial board for the Asian Celebrity and Fandom Studies series for Bloomsbury (Asian Studies) and an inaugural member of the Performance and Stardom Scholarly Interest Group in the Society for Cinema and Media Studies (SCMS). Dr Donnar also routinely comments on gender, celebrity and popular culture in the media, including for ABC online, Radio National, New Scientist, Cosmopolitan and The Conversation.
Dr Donnar’s applied research on men and masculinities for the interdisciplinary Healthier Masculinities project is informing government, university and industry initiatives to define and promote healthy masculinities. The project includes numerous student-led co-designed proposals for partners such as The Man Cave, Respect RMIT and Safer Community (RMIT). The project team’s multidisciplinary research (Routledge, 2018) also informed the Victorian Government’s 2016-17 water safety campaign targeting older males (with the Royal Life Saving Society).
Dr Donnar is a highly accomplished educator with extensive international experience developed over two decades. He has extensive teaching experience and a demonstrated commitment to enhancing the student experience at both undergraduate and postgraduate level. Dr Donnar’s innovations in assessment design that incorporate student-centred and team-based learning are highly valued by students. He was a featured subject in the Australian Learning and Teaching Council (ALTC) funded project, Finding common ground: Enhancing interaction between domestic & international students (2008-2010). He currently teaches into the Contextual Studies minors in Approaches to Popular Culture and Asian Media & Culture. He has also taught into Cinema Studies and Literary Studies. Glen is a registered research supervisor who is able to supervise students at MA and PhD levels.
Industry experience:
Dr Donnar is a member of the Australian Film Critics Association (affiliated member of FIPRESCI), the Society for Cinema and Media Studies, the Australia and New Zealand American Studies Association, and the Popular Culture Association/American Culture Association.
Awards:
Supervisor interest areas:
-Men and Masculinity
-Film & Television
-Celebrity and Stardom
-Genre studies (including Action, Disaster, Horror, Science Fiction, Westerns and Post-Apocalypse)
-Popular culture, Gender and Society (including in Asia)
-Hollywood
-Terrorism in popular culture (especially cultural responses to 9/11)
Current PhD projects:
-Simon Richards, PhD, 2024-2028, Urban Signatures: A city's sense of place, a typography narrative
-Anastasia Baka, PhD, 2024-27, Internalised fiction, contemporary misogyny: Exploring internalised misogyny in creative writing and its influence on female readers
-Hamid Taheri, PhD, 2022-26, The Portrayal of Women in Post-Green Movement Iranian Cinema: Modesty, Censorship, Agency
-Adnan Alamri, PhD, 2022-26, Infodemic and misinformation about Covid-19 Vaccination on social media in Saudi Arabia and Egypt
-Alessandro D’Aloia, PhD, 2018-24, Autonomy and Time: Duration In and Beyond the Image.
PhD completions:
-Hsham Aburghif, PhD, 2018-24, “Baghdadi Street Life”: Using i-doc practice to challenge stereotypes of Iraq and Iraqis in Hollywood cinema
-Clem Bastow, PhD, 2019-23, “Don’t try to understand it – feel it”: an experimental journey through Hollywood action towards an Autistic screenwriting practice (recognised for Outstanding work)
-Divya Garg, PhD, 2018-22, Fandom and Disability: Imagining a Politics of Inclusivity through Marvel Global Media Fandom (recognised for Outstanding work)
-Merinda Staubli, PhD, 2018-22, Spectral Thresholds and Monstrous Pedagogies: Characterising and Remembering Millennial Children’s Horror Television in Australia (recognised for Outstanding work)
-Russell Edwards, PhD, 2017-22, Looking into the Rising Sun: South Korean cinema’s Japan cycle of the Park Geun-hye era (recognised for Outstanding work)
-Eloise Florence, PhD, 2016-20, Entangling pasts: remembering Allied attacks on Berlin from the air through sites on the ground (recognised for Outstanding work)
-Zhuying Li, PhD, 2013-18, Masculinity and the Image of Women in the Chinese Cultural Revolution.
Programs
-BP354 - Bachelor of Communication (Professional Communication)
https://www.rmit.edu.au/study-with-us/levels-of-study/undergraduate-study/bachelor-degrees/bachelor-of-professional-communication-bp354
-BP222 - Bachelor of Communication (Professional Communication)
(https://www.rmit.edu.au/study-with-us/communication/communication-and-writing)
-BP047 - Bachelor of Arts (Music Industry)
(https://www.rmit.edu.au/study-with-us/media/music-and-audio-visual)
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.