Ricarda Bigolin

Dr. Ricarda Bigolin

Associate Dean Fashion and Textiles Design

Details

Open to

  • Media enquiries
  • Masters Research or PhD student supervision
  • Collaborative projects
  • Industry Projects

About

Associate Professor Ricarda Bigolin is a practice-based researcher, educator and designer. Ricarda’s research, teaching and design practice is recognised internationally with ongoing collorations in research and education with some of the best Fashion, Design and Art Universities in the world. She is regarded as one of the establishing practitioners in the niche fields of critical and expanded fashion practice after completing a practice-based PhD on this area in 2013.

For over nine years they have been active in Fashion Design Discipline and Program leadership as the Associate Dean of Fashion and Textiles Design (2019 - 2024) and Program Manager for Masters and Honours degrees (2016 - 2018). They are a recognised leader of advancing design practice and advocating ways to break systemic injustices, supporting the inclusion of all diverse and marginal groups and the relationship between design, diversity and sustainability. Their practice research explores critical tactics and interventions to challenge how fashion is produced and consumed using arts-based and material methods, wearing and performing to reveal relationships between fashion, value and use. They have been an associated partner on European research grants, research networks and have been PI on innovative contract research grants and collaborations with industry partner Nike. Since completing their practice based PhD in 2012 in expanded and critical fashion, their practice work as ‘D&K’, has won international awards and acquisitive prizes producing garments, performances, exhibitions, texts and films in leading art and design museums, galleries, publications and universities globally. 

Ricarda has ongoing collaboration on teaching and research projects with the Swedish School of Textiles, the University of Borås since 2013, where Ricarda is a visiting Professor participating in research projects as part of the Body and Space research program as well as co-convening conferences, examining Masters and PhDs, giving seminars, workshops and teaching. Ricarda also has since 2015 given lectures, studio visits, program accreditation and examinations and is part of the learning community of the MA Critical Fashion Practices, ArtEZ, University of the Arts, Arnhem, the Netherlands. Ricarda also from 2022 - 2024 was a member of the AHRC funded International Upcycling Network with De Montfort University

 

Ricarda is  founding member of the ‘Performing Dress Lab: Materiality, Technology & the Scenographic Body' research in fashion, dress and performance with Aalto University, UAL and RMIT that focuses on research training for PhD students, networking and mentoring for supervisors. Ricarda supervises Masters and PhD students specialising in practice and project-based research, supporting them to develop highly original practice research, hybrid methodologies and international appeal. Part of this includes establishing the first international offshore cohort of RMIT Fashion and Textiles PhD students where Ricarda currently is Senior Supervisor on PhDs for two faculty at ArtEZ and one at Parsons, The New School.

Key to Ricarda’s design practice is D&K, a collaborative critical fashion practice producing garments, images, performances, exhibitions, ficto-criticim texts, poems, scripts and films in leading art and design museums, galleries, publications and universities globally. D&K won the prestigious international Han Nefkens Fashion on The Edge Award, in 2014 alongside Iris van Herpen (NL), Craig Green (GB), Digest Design (CN) and Lucia Cuba (PE), a commission and acquisitive prize in partnership with the Museum Boijmans Van Beuningen, the Netherlands. The practice has been shortlisted for Australian prizes and curated, acquired or commissioned by festivals, museums and libraries worldwide including NGV Triennial, A Shaded View of Fashion Film: ASVOFF 13 & 14 Film Festival, UTS Art Gallery, Amsterdam Warehouse, London College of Fashion, Central Saint Martin’s Special Collections Library, NSW Library, Melbourne Design Week, Melbourne Fashion Festival, Spring 1883, MCA Sydney, OCAT Shanghai, OCAT Shenzhen OCT Contemporary Art Terminal, RMIT Design Hub, RMIT Gallery and various commercial and artist-run initiatives worldwide. he monograph on D&K - D&K LOOK BOOK 2019 published by critical design and art publisher Surpllus in 2019 which was supported with worldwide launches. Ricarda is regularly invited to present her practice and research in publications, public lectures, chair panels, symposiums, and masterclasses to audiences across fashion, art, design, architecture disciplines worldwide. Key to this is engaging with the wider languages and the everyday value, significance and performance of fashion across art and design disciplines.

Supervisor projects

  • ONE PUBLISHES TO FIND COMRADES: Critical Fashion Publishing, Publishing Critical Fashion Practice
  • 10 Jan 2024
  • Language and love as performative and participatory practice within exhibition, public and introspective space
  • 9 Dec 2023
  • Who are you wearing?
  • 15 Nov 2023
  • Acts of wearing
  • 19 Jul 2023
  • Deathless Dress; An investigation of Fashion Curation in the digital age
  • 20 Jun 2023
  • Repeat, Replay: Replicating methods from the past to inform contemporary fashion and costume practices
  • 10 Jan 2023
  • Navigating the Social and the Commercial: Marketing Fashion-Based Social Enterprise
  • 19 Aug 2022
  • Front, back and side effects: the art of framing fashion
  • 26 Jul 2021
  • Time-Images and Digital Fashion Sculpture: Investigating the In-Between Image in Fashion
  • 4 Aug 2020
  • Fashion Scavenging: Resurrecting wasted fashion through luxury garment practice
  • 2 Jul 2019
  • Digital Fashion Bodies: Performing Posthumanity In Virtual Reality
  • 23 May 2019
  • Memories through Miniature Garments Re-enlivening Historical Australian Fashion Practice
  • 1 Nov 2018
  • Mode and Mode: Tactics for Publishing Fashion in the Margins
  • 31 Aug 2018
  • Wearing Fashion Images. Reimagining Fashion Images Through Material and Participatory Fashion Practices.
  • 8 Feb 2018
  • Embracing mindfulness: Enriching slow fashion for human and environmental wellbeing
  • 1 Mar 2017
  • Fashion Communication and Ageist Sentiment in the Australian Fashion Industry
  • 2 Jun 2016
  • Intra-active Fashion
  • 30 Jul 2015
  • Invitation to the Party: Lively Exhibition-Making for Unruly Fashion Practice
  • 12 Sep 2014

Teaching interests

Supervisor projects:
Current:

Hanka Van Der Voet, PhD (Fashion and Textiles), ONE PUBLISHES TO FIND COMRADES: Critical Fashion Publishing, Publishing Critical Fashion Practice

Shona Stark, PhD (Architecture and Design) Language and love as performative and participatory practice within exhibition, public and introspective space

Femke De Vries, PhD (Fashion and Textiles), Who are you wearing?

Lucia Cuba Oroza, PhD (Fashion and Textiles),  Acts of wearing

Madeleine Porrit, M Des (Fashion & Textiles), Deathless Dress; An investigation of Fashion Curation in the digital age

Amanda Nichols, PhD (Fashion and Textiles), 'Repeat, Replay: Replicating methods from the past to inform contemporary fashion and costume practices'

Kate Meakin, PhD (Fashion and Textiles), 'Front, back and side effects - the art of framing fashion'

Completed:

Jon Hewit, (PhD) (Media and Communications), Navigating the Social and the Commercial: Marketing Fashion-Based Social Enterprise

Alex Kirwood, M Des (Fashion & Textiles), (Key)framing fashion.

Remie Cibis, PhD (Fashion and Textiles), 'Fashionable Looks: Image, Garment, Wearer'.
Mathew Linde, PhD (Fashion and Textiles), 'Invitation to the Party: Lively Exhibition-Making for Unruly Fashion Practice'.

Thomas McEvoy, M Des (Fashion & Textiles), 'Memories through Miniature Garments: Re-enlivening Historical Australian Fashion Practice'.
Laura Gardner, PhD (Fashion and Textiles), 'Mode and mode: tactics for publishing fashion in the margins'.
Hayley Thompson, M Des (Fashion & Textiles), 'Embracing mindfulness: Enriching slow fashion for human and environmental wellbeing'.

Programs:

PhD (Fashion and Textiles)

M Des (Fashion and Textiles)
Master of Fashion (Design)
Bachelor of Fashion (Design) (Honours)

Research interests

Bigolin’s research explores various aspects of the social, cultural, ethical and political context of fashion production and consumption. Ricarda has collaborated as PI on numerous research collaborations with the Swedish School of Textiles funded Swedish Research Council and Vinnova. The includes developing a range of design methods that highlight materials reuse, body, performance and material reuse and upcyling for fashion design. Alongside this Ricarda maintains a rigorous practice as D&K with core collaborator Chantal Kirby, that present their practice research regularly in exhibitions, performances, films and publications internationally. 

 

Research and Supervision Keywords

Critical and Expanded Fashion Practice, Wearing and Performing Fashion, Material Reuse and Upcycling, Fashion Design Methods, Fashion Image and Writing, Outlier Fashion and Dress Practices, Fashion Garments, Materials and Use, Historical Dress and Archive Practices

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RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.