Associate Professor Ricarda Bigolin is a practice-based researcher, educator and designer. Ricarda’s research, teaching and design practice is recognised internationally with ongoing collaborations in research and education with some of the best Fashion, Design and Art Universities in the world. She is regarded as one of the establishing practitioners in the niche fields of critical and expanded fashion practice after completing a practice-based PhD on this area in 2013. For over nine years they have been active in Fashion Design Discipline and Program leadership as the Associate Dean of Fashion and Textiles Design (2019 - 2024) and Program Manager for Masters and Honours degrees (2016 - 2018). They are a recognised leader of advancing design practice and advocating ways to break systemic injustices, supporting the inclusion of all diverse and marginal groups and the relationship between design, diversity and sustainability.
Their practice research explores critical tactics and interventions to challenge how fashion is produced and consumed using arts-based and material methods, wearing and performing to reveal relationships between fashion, value and use. They have been an associated partner on European research grants, research networks and have been PI on innovative contract research grants and collaborations with industry partner Nike. Since completing their practice based PhD in 2012 in expanded and critical fashion, their practice work as ‘D&K’, has won international awards and acquisitive prizes producing garments, performances, exhibitions, texts and films in leading art and design museums, galleries, publications and universities globally.
Ricarda has ongoing collaboration on teaching and research projects with the Swedish School of Textiles, the University of Borås since 2013, where Ricarda is a visiting Professor participating in research projects as part of the Body and Space research program as well as co-convening conferences, examining Masters and PhDs, giving seminars, workshops and teaching. Ricarda also has since 2015 given lectures, studio visits, program accreditation and examinations and is part of the learning community of the MA Critical Fashion Practices, ArtEZ, University of the Arts, Arnhem, the Netherlands. Ricarda also from 2022 - 2024 was a member of the AHRC funded International Upcycling Network with De Montfort University and currently one of five practices selected for the AHRC funded Practice Based Fashion Research Network led by Parsons and Northumbria University.
Supervisor projects:
Current:
Hanka Van Der Voet, PhD (Fashion and Textiles), ONE PUBLISHES TO FIND COMRADES: Critical Fashion Publishing, Publishing Critical Fashion Practice
Shona Stark, PhD (Architecture and Design) Language and love as performative and participatory practice within exhibition, public and introspective space
Femke De Vries, PhD (Fashion and Textiles), Who are you wearing?
Lucia Cuba Oroza, PhD (Fashion and Textiles), Acts of wearing
Madeleine Porrit, M Des (Fashion & Textiles), Deathless Dress; An investigation of Fashion Curation in the digital age
Amanda Nichols, PhD (Fashion and Textiles), 'Repeat, Replay: Replicating methods from the past to inform contemporary fashion and costume practices'
Kate Meakin, PhD (Fashion and Textiles), 'Front, back and side effects - the art of framing fashion'
Completed:
Jon Hewit, (PhD) (Media and Communications), Navigating the Social and the Commercial: Marketing Fashion-Based Social Enterprise
Alex Kirwood, M Des (Fashion & Textiles), (Key)framing fashion.
Remie Cibis, PhD (Fashion and Textiles), 'Fashionable Looks: Image, Garment, Wearer'.
Mathew Linde, PhD (Fashion and Textiles), 'Invitation to the Party: Lively Exhibition-Making for Unruly Fashion Practice'.
Thomas McEvoy, M Des (Fashion & Textiles), 'Memories through Miniature Garments: Re-enlivening Historical Australian Fashion Practice'.
Laura Gardner, PhD (Fashion and Textiles), 'Mode and mode: tactics for publishing fashion in the margins'.
Hayley Thompson, M Des (Fashion & Textiles), 'Embracing mindfulness: Enriching slow fashion for human and environmental wellbeing'.
Programs:
PhD (Fashion and Textiles)
M Des (Fashion and Textiles)
Master of Fashion (Design)
Bachelor of Fashion (Design) (Honours)
Bigolin’s research explores various aspects of the social, cultural, ethical and political context of fashion production and consumption with a focus on practice research. Ricarda has collaborated as PI on numerous research collaborations with the Swedish School of Textiles funded Swedish Research Council and Vinnova. The includes developing a range of design methods that highlight materials reuse, body, performance and material reuse and upcyling for fashion design. Alongside this Ricarda maintains a rigorous practice as D&K with core collaborator Chantal Kirby, that present their practice research regularly in exhibitions, performances, films and publications internationally.
Research and Supervision Keywords
Critical and Expanded Fashion Practice, Wearing and Performing Fashion, Material Reuse and Upcycling, Fashion Design Methods, Fashion Image and Writing, Outlier Fashion and Dress Practices, Fashion Garments, Materials and Use, Historical Dress and Archive Practices
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.