Ricarda Bigolin

Dr. Ricarda Bigolin

Associate Dean Fashion and Textiles Design

Details

Open to

  • Media enquiries
  • Masters Research or PhD student supervision

About

Associate Professor Ricarda Bigolin is a practice-based researcher, educator and designer and the Associate Dean of Fashion and Textiles Design at RMIT University, Melbourne, Australia.

Ricarda’s research, teaching and design practice is recognised internationally. She is regarded as one of the establishing practitioners in the niche fields of critical and expanded fashion practice after completing a practice-based PhD on this area in 2013.

As the Associate Dean of Fashion and Textiles Design at RMIT (2019 – present), Ricarda oversees the strategic leadership and direction of the discipline, including a comprehensive reimaging of programs as part of a major School-wide new curriculum project. This has involved defining the vision and fundamental elements of fashion and textiles design programs including program structures, specialisations and ways to support diverse knowledge ways of doing, making and performing fashion. Prior to this role Ricarda was Program Manager for the Master of Fashion (Design) and Bachelor of Fashion (Design) (Honours) (2016-18), including founding ‘Advanced Fashion & Textiles Studios’ in 2018, a model of combined delivery of Honours and Masters Fashion and Textiles programs. Bigolin continues to lead capstone courses and dynamic fashion graduate showcases in programs drawing on diverse industry conditions and key shifts in the Discipline to expand the understanding of what fashion designers do. Since this 2018 Ricarda has also led collaboration with Nike Sportswear Australia, finding ways to translate practice research to industry, WIL and employment opportunities for graduates.

Ricarda has led various international research and education collaborations with other highly regarded fashion institutions. This includes ongoing teaching and research projects with the Swedish School of Textiles, the University of Borås since 2013, where Ricarda is a visiting Assistant Professor participating in research projections as part of the Body and Space research program as well as co-convening conferences, examining Masters and PhDs, giving seminars, workshops and teaching. Ricarda also has since 2015 given lectures, studio visits, program accreditation and examinations and is part of the learning community of the MA Critical Fashion Practices, ArtEZ, University of the Arts, Arnhem, the Netherlands. Ricarda is the RMIT leader in the ‘Performing Dress Lab: Materiality, Technology & the Scenographic Body' research in fashion, dress and performance with Aalto University, UAL and RMIT that focuses on research training for PhD students, networking and mentoring for supervisors. Ricarda supervises Masters and PhD students specialising in practice and project-based research, supporting them to develop highly original practice research, hybrid methodologies and international appeal.

Key to Ricarda’s design practice is D&K, a collaborative critical fashion practice producing garments, images, performances, exhibitions, ficto-criticim texts, poems, scripts and films in leading art and design museums, galleries, publications and universities globally. D&K won the prestigious international Han Nefkens Fashion on The Edge Award, in 2014 alongside Iris van Herpen (NL), Craig Green (GB), Digest Design (CN) and Lucia Cuba (PE), a commission and acquisitive prize in partnership with the Museum Boijmans Van Beuningen, the Netherlands. The practice has been shortlisted for Australian prizes and curated, acquired or commissioned by festivals, museums and libraries worldwide including A Shaded View of Fashion Film: ASVOFF 13 Film Festival, UTS Art Gallery, Amsterdam Warehouse, London College of Fashion, Central Saint Martin’s Special Collections Library, NSW Library, Melbourne Design Week, Melbourne Fashion Festival, Spring 1883, MCA Sydney, OCAT Shanghai, OCAT Shenzhen OCT Contemporary Art Terminal, RMIT Design Hub, RMIT Gallery and various commercial and artist-run initiatives worldwide. The monograph on D&K - D&K LOOK BOOK 2019 published by critical design and art publisher Surpllus in 2019 which was supported with worldwide launches and co-published with an edition of Mode and Mode on D&K's writing practice. Ricarda is regularly invited to present her practice and research in public lectures, chair panels, symposiums, and masterclasses to audiences across fashion, art, design, architecture disciplines worldwide. Key to this is engaging with the wider languages and the everyday significance and performance of fashion across art and design disciplines.

Industry experience:

Ricarda's design practice operates across fashion, art, design, architecture disciplines. A key element of her practice is exploring how fashion performance can be used as a site to critique fashion and engage in ideas more broadly around the performance and interactions of the body and dress and its capacity to influence. Adjacent strategies are explored in her writing practice and Ricarda is regularly invited to contribute performative text works, ficto-criticism, poems, scripts and short stories independent publications and exhibition texts including Press & Fold (NL), Warehouse Review (NL), Modus (UK/NL), Writing & Concepts (AU), Kunsthalle Bern (CH), Japan Foundation (AU) & Venice Architecture Biennale 2021/APE (CH). Ricarda also works in creative direction, costume and styling for film and performance.

Ricarda recently has been a guest participated panelist and research expert for Nike Australia, Move to Zero 2025 Strategy and part of the panel for Creative Victoria, Fashion Design Category Assessment Panel 2021.

Awards:
Han Nefkens Fashion On The Edge Award
Award date: 2014
Recipients: Ricarda Bigolin

2014
Han Nefkens Fashion On The Edge Award, 2014.

2011
IFFTI Best Doctoral Research Submission, Institut Francais de la Mode, France, 2011.

Supervisor projects

  • ONE PUBLISHES TO FIND COMRADES: Critical Fashion Publishing, Publishing Critical Fashion Practice
  • 10 Jan 2024
  • Language and love as performative and participatory practice within exhibition, public and introspective space
  • 9 Dec 2023
  • Who are you wearing?
  • 15 Nov 2023
  • Acts of wearing
  • 19 Jul 2023
  • Deathless Dress; An investigation of Fashion Curation in the digital age
  • 20 Jun 2023
  • Repeat, Replay: Replicating methods from the past to inform contemporary fashion and costume practices
  • 10 Jan 2023
  • Navigating the Social and the Commercial: Marketing Fashion-Based Social Enterprise
  • 19 Aug 2022
  • Front, back and side effects: the art of framing fashion
  • 26 Jul 2021
  • Time-Images and Digital Fashion Sculpture: Investigating the In-Between Image in Fashion
  • 4 Aug 2020
  • Fashion Scavenging: Resurrecting wasted fashion through luxury garment practice
  • 2 Jul 2019
  • Digital Fashion Bodies: Performing Posthumanity In Virtual Reality
  • 23 May 2019
  • Memories through Miniature Garments Re-enlivening Historical Australian Fashion Practice
  • 1 Nov 2018
  • Mode and Mode: Tactics for Publishing Fashion in the Margins
  • 31 Aug 2018
  • Wearing Fashion Images. Reimagining Fashion Images Through Material and Participatory Fashion Practices.
  • 8 Feb 2018
  • Embracing mindfulness: Enriching slow fashion for human and environmental wellbeing
  • 1 Mar 2017
  • Fashion Communication and Ageist Sentiment in the Australian Fashion Industry
  • 2 Jun 2016
  • Intra-active Fashion
  • 30 Jul 2015
  • Invitation to the Party: Lively Exhibition-Making for Unruly Fashion Practice
  • 12 Sep 2014

Teaching interests

Supervisor interest areas:
Fashion practice
Fashion performance
Exhibition
Image and writing; Expanded, critical and sustainable fashion design methodologies and practice

Supervisor projects:
Current:
Alex Kirwood, M Des (Fashion & Textiles), (Key)framing fashion.
Chantal Kirby, PhD (Fashion and Textiles), ' Designing luxury: shifting experiences of materials and value through fashion practice'.
Kate Meakin, PhD (Fashion and Textiles), 'Front, back and side effects - the art of framing fashion'.
Remie Cibis, PhD (Fashion and Textiles), 'Fashionable Looks: Image, Garment, Wearer'.
Thomas McEvoy, M Des (Fashion & Textiles), 'Memories through Miniature Garments: Re-enlivening Historical Australian Fashion Practice'.

Completed:
Mathew Linde, PhD (Fashion and Textiles), 'Invitation to the Party: Lively Exhibition-Making for Unruly Fashion Practice'.
Laura Gardner, PhD (Fashion and Textiles), 'Mode and mode: tactics for publishing fashion in the margins'.
Hayley Thompson, M Des (Fashion & Textiles), 'Embracing mindfulness: Enriching slow fashion for human and environmental wellbeing'.

Programs:
Master of Fashion (Design)
Bachelor of Fashion (Design) (Honours)

Research interests

Research
Bigolin’s research explores the social, cultural, ethical and political context of fashion production and consumption. Ricarda has collaborated as PI on numerous research collaborations with the Swedish School of Textiles funded Swedish Research Council and Vinnova. The includes developing a range of design methods that highlight materials reuse, body, performance and material reuse for fashion design.

Research keywords
Critical and Expanded Fashion Practice, Fashion Design Methods; Fashion Performance, Image and Writing; Outlier Fashion and Dress Practices, Fashion Garments, Materials and Use
aboriginal flag
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.