Hannah Brasier

Dr. Hannah Brasier

Lecturer, Media

Details

About

Dr Hannah Brasier is a researcher by creative practice in digital media. She has a background in producing online interactive audiovisual nonfiction projects using the Korsakow authoring software. These projects use the facetted and multiplicit affordances of the online space to peform the world as vibrant, precarious, and entangled. Hannah has published on these projects in Studies in Documentary Film Journal, where the outcome has evolved as a practice of attuned noticing for crafting ecologically conscious expanded nonfiction.   Recently, Hannah has been exploring damaged Australian environments through this practice of attuned noticing by experimenting with smartphone filmmaking and the experimental short form. Her recent film Surface Levels was shot in Kinchega National Park and the surrounding Menindee Lakes, a region well-known for drought, floods and ongoing mass fish deaths. The five-minute experimental nonfiction smartphone film uses a list-like structure to attend to the unnoticed rhythms of damage and beauty within the landscape. Surface Levels was commissioned by Australian Environments on Screen in partnership with MINA (www.mina.pro).    Hannah is currently interested in expanding her practice of attuned noticing in different forms of digital media, to explore the possibilities for using techology to 'make sense' of human-real world interactions. She is further interested in alternatives to story for nonfiction media making. Hannah teaches digital, experimental, and documentary screen production in conceptual studios and practice-based courses in the School of Media & Communication at RMIT.

Research fields

  • 3605 Screen and digital media
  • 500304 Environmental philosophy
  • 390101 Creative arts, media and communication curriculum and pedagogy

Teaching interests

Hannah has nine years experience teaching practice-based courses in the undergraduate Media Program at RMIT. This teaching spans interactive online screen production, digital narratives, foundational media, experimental screen production, poetic nonfiction production, and ecological nonfiction. She further has experience teaching Cinema Studies, including introductory Cinema Studies, Australian Cinema, the impact of technologies, industries and audiences on meaning in film texts and Documentary film. Her teaching expertise is in studio-based learning models, where she currently co-coordinates the Media Studies.   Currently, she teaches a studio in collaboration with the Australian Screen Research Collection and a studio on crafting ecologically conscious media. In the Masters of Media Program she teaches Impact Storytelling which looks at how digital technologies can be used for impact.

Research interests

  • Creating ecologically conscious media in a time of climate crisis
  • The creative potentials of digital media technologies to 'make sense' of human-real world interactions
  • Research by creative practice in screen and digital media production
  • Documentary and experimental cinema
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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.