Laresa Kosloff

Dr. Laresa Kosloff

Senior Lecturer

Details

Open to

  • Masters Research or PhD student supervision

About

Dr Laresa Kosloff is Senior Lecturer in the School of Art. She makes performative videos, short films, audio works and participatory artworks. Her practice examines various representational strategies, each one linked by an interest in the body and its agency within the everyday. Some of her projects are structured around language, whilst others use slapstick physicality to communicate ideas. Recurrent themes across Laresa’s practice include humour and tension between received cultural values, individual agency and free will.

 

Laresa has held solo exhibitions at Institue Modern Art, Brisbane (2023); Sutton gallery, Melbourne (2018, 2021); Monash Prato Centre, Italy (2015); MUMA (2014); Margaret Lawrence Gallery (2012); Artspace, Sydney (2009); ACCA @ Mirka, (2008). She recently created new commissions for ‘Who’s Afraid of Public Space?’ (ACCA, 2022) and Buxton Contemporary Light Source Commissions (2021). Laresa was awarded the Nillumbik Contemporary Art Prize in 2023; the Incinerator Art for Social Change Award in 2021 and was a finalist in the 67th Blake Art Prize, 2022. Her work is held in private and public collections including the NGV, Monash University Collection, the Michael Buxton collection, ACMI, Artbank and City of Melbourne. She has participated in curated exhibitions locally and internationally including the 11th Asia Pacific Triennial of Contemporary Art; the Auckland Triennial; La générale, Sèvres, France; Gertrude Contemporary; Magazinno D’Arte Moderna, Rome; The Dowse Arts Museum, NZ; Auckland Art Gallery Toi o Tāmaki, NZ. She is represented by Sutton Gallery in Melbourne. 



Academic positions

  • Senior lecturer
  • RMIT University
  • School of Art
  • Melbourne, Australia
  • 1 Jan 2012 – Present

Supervisor projects

  • Bogeybabies – an exorcism of the virtual damaged child figure, as evoked to suppress queer artistic expression.
  • 7 Feb 2024
  • I knew that I was watching television
  • 10 Jan 2024
  • Revisioning the social and gendered body in performance art: Enac8ng mul8ple readings of embodiment and future potential representatons
  • 27 Feb 2023
  • Theres no going back: chaos and destruction as compositional strategies in performance and video
  • 3 Feb 2023
  • Touch as an act of devotion: contingency, corporeality and power in Christian materiality and objects of worship
  • 20 Sep 2022
  • The ElectroPoetics : performing co-created being-hoods in the electronic world
  • 13 Dec 2021
  • Life-Extending Breadcrumbs. Facilitating Morphosis and Collaborative Sculptural Practice through Posthuman Ethics
  • 17 Jun 2021
  • Trauma and repair: exploring family dysfunction/restoration and its inherent legacy through constructed objects, installation and text based work.
  • 26 Feb 2018
  • Home is where the art is: The artist¿s house as a site for hosting participatory artworks
  • 1 Aug 2017
  • Meta Culture: Branding, Semiology and the Language of Display
  • 16 Jun 2016
  • Sexual Choreography Queer Identity, Post-AIDS and Post-Internet
  • 4 Mar 2013

Teaching interests

Supervisor interests
Performing body in art, humour, propositional artworks, conceptual art, video art, early cinematic slapstick and critical short films. 

Research interests

Visual Arts and Crafts, Film.

Initiatives and links

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Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.