Dr Patrick Kelly is a Senior Lecturer in Media in RMIT University’s School of Media & Communication. He is a creative screen practitioner, and has served as a Co-Director of Critical Animals creative research symposium and exhibition, as part of This Is Not Art festival. His creative works have been exhibited by The Lock Up Gallery, MARS Gallery, Midsumma Festival, Cinemq (Shanghai), the Tropical Alternative Film Festival, Sightlines: Screen Production and the Academy, Canada International Film Festival, Queensland New Filmmakers Awards, and the International iPod Film Festival. He is the recipient of the M&C Dean's Awards for Leadership (2019) and Integrated Scholarship (2017).
Industry experience
Patrick has worked as a digital producer within the film, television, and online media industry since 2006. He has worked for Network Ten, Jonathan M Schiff Productions, and his clients have included the Queensland Department of State Development, Leading Aged Services Australia, and Body Electric Dance Studios.
He has collaborated with the Victorian Equal Opportunity and Human Rights Commission and Winda Mara Aboriginal Corporation.
Patrick was a Co-Director of the Critical Animals creative arts festival (2014-2016).
His writing can be found at ABC’s The Drum, Fairfax, The Conversation, Mumbrella, The Lifted Brow and M/C Reviews.
Supervisor projects
Trade Secret: the undocumented history of the illegal hormone trades that took place between trans and gender diverse people in St Kilda in the 1980s
3 Sep 2024
In Search of the Lost Package: Reclaiming Chinese Indonesian History through Animated Documentary Film
17 Nov 2023
Baghdadi Street Life ( ﺑﻐﺪادي ﺷﺎرع ﺣﯿﺎة ): Using I-Doc Practice to Challenge Stereotypes of Iraq and Iraqis in Hollywood Cinema
17 Jul 2023
Queer community and new internet technologies
8 Jun 2023
Queering the Home Movie: Reframing the Family in Australian Home Movies
24 Feb 2023
Power in Digital Queer Space: An Exploration of the Lived Experiences of Emergent Identities in Australia
7 Jul 2022
Who Writes a Generative Text? An Investigation into the Mechanisms of Projecting a Distinct Authorial Voice when using Generative Text Processes
20 Nov 2020
From Repetition To Remaking: An Autistic Filmmaker's Exploration Of Repetitious Cinematic Practices
5 Mar 2019
The Layered Image: Staging Silent Interior Atmospheres in Light and Darkness
12 Feb 2019
Yulendj Boonwurrung: A Journey of Old Knowledge and Innovative Forms for Assisting Urban Indigenous Youth to Engage in Contemporary Indigenous Knowledge
2 Jan 2019
Babe(s): Potential for disruption through the intersectional discourses of sexism and speciesism from the positionality of feminist-vegans in Australia and New Zealand.
17 Dec 2018
The Making of the Nick: Designing a Systematic Approach for the Chaotic Practice of Micro-Budget Short Filmmaking
1 May 2018
"the moment of shooting": Embracing Improvisation Towards Efficiency in the Creation of Micro-Budget Interactive Short Films
1 Feb 2018
Teaching interests
Supervisor interests
• Creative practice research
• Screen production
• Documentary
• Creative mobile media
• Digital storytelling
• Queer creative practice
• Creative practice ethnography
• Autoethnography
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.