Shweta Kishore lectures in Screen and Media at RMIT University. She is the author of 'Indian Documentary Film and Filmmakers: Independence in Practice' (2018, Edinburgh University Press). Shweta's research on Indian documentary, documentary ethics, feminist film, and activist film festivals has appeared in Third Text, Bioscope, Camera Obscura, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema.
She is a documentary practitioner and in 2019 curated 'Artist Cinema: Moving image and film from Vietnam' at the Kochi Muziris Biennale, India, and 'Moving Reels: Vietnam Looks At South Asia' at The Factory Contemporary Art Centre, Ho Chi Minh City, Vietnam. She is currently working on her forthcoming edited collection entitled 'Resistance in Aesthetics and Practice in Indian Documentary Film' (Edinburgh University Press).
Shweta teaches Cinema Studies in the Bachelor of Communication (Media). Shweta supervises PhD projects on documentary film theory and practice; film and history; screen cultures; and popular culture in South Asia. She is an advisory board member of the journal Studies in Documentary Film.
Professional experience:
- 2022 Moderator, "Dalit voices and representation in Writing with Fire" (documentary, 2022) Human Rights Arts and Film Festival, Melbourne; Castlemaine Documentary Festival, Victoria
- 2019 Curator, "Vietnamese experimental artist cinema" Kochi Biennale, India
- 2018 Curator, "Moving Reels" South Asian Film Screening interactive discussion forum at The Factory Contemporary Arts Centre, Vietnam
- 2016 Feature film programmer, Melbourne International Film Festival, Australia
- 2014 Curator and public presentation, "Screening Modernity, Westminster University, London
- 2014 Kishore, S., "Transcending Testimony: An interview with filmmaker Deepa Dhanraj" The Conversation,
- 2014 Kishore, S., "Death begets life in Rajesh Jala's Children of the Pyre" The Conversation
- 2014 Strand concept and curator, "India in Flux: Living Resistance", Melbourne International Film Festival, Organised in association with Faculty of Arts, Monash University
- 2013 Masterclass, "Production Design in Cinema", Kota Kinabalu International Film Festival, Malaysia
Supervisor projects
In Search of the Lost Package: Reclaiming Chinese Indonesian History through Animated Documentary Film
17 Nov 2023
The power dynamics of the human interest story
30 Jan 2023
"Neither Black nor White – The Postmodern Politic: La Leyenda Negra in turn of the millennium Latin American Cinema."
10 Jan 2022
Stand-up finds its feet: The rise and role of comedy shows in India
28 Sep 2020
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.