Drew Pettifer

Dr. Drew Pettifer

Associate Professor

Details

Open to

  • Masters Research or PhD student supervision
  • Collaborative projects
  • Industry Projects
  • Media enquiries

About

Associate Professor Drew Pettifer is Co-Convenor of the LGBTIQA+ Research Network and IDEA (Inclusion, Diversity, Equity and Access) Lead in the School of Art.

Drew is a contemporary artist, writer, curator, and non-practicing lawyer. His research interests include the archive, queer theory, biopower, desire, gender, representation, and contemporary social politics. His creative practice works across photography, video, print, performance, and installation. In 2017 he was awarded one of five university-wide Vice Chancellor's Commendations for Doctoral Thesis Excellence at Monash University for his project examining contemporary representations of masculinity and the queer gaze. More recently his practice has operated at the nexus of creative practice, critical theory, and social justice, aiming to transform our understanding of Australian history by using creative practice to foreground critical queer histories which have been systematically excluded from dominant archives. In 2024 he was appointed a Visiting Scholar at the State Library of NSW to research the 'pink bans' of the 1970s and awarded a DSC Academic Development Program Fellowship to explore how creative practice might be used to fill in the gaps in hidden minoritarian histories.

 

Recent exhibitions of Drew's artwork include: Closer Together, Hong Kong Arts Centre (2024); Melbourne Now, National Gallery of Victoria (2023); Forget Me Not: A queer end to the bushrangers, Sarah Scout Presents (2023); Queer, National Gallery of Victoria (2022); Too Much is Never Enough, Space Place Gallery, Russia (2021); XX, Hong Kong Arts Centre (2020-21); and,  A Sorrowful Act: The Wreck of the Zeewijk, Lawrence Wilson Art Gallery, Perth (2020). His work is held in various collections, including the National Gallery of Victoria, Art Gallery of South Australia, Museum of Australian Photography, and City of Melbourne's Arts and Heritage Collection, as well as private collections nationally and internationally.

 

In addition to exhibitions and publications, Drew is regularly invited as a speaker, writer, and peer-reviewer on contemporary art, sexuality, and the body. He has been a peer reviewer for the Australia Council for the Arts (now Creative Australia) and City of Melbourne Arts and Culture. He has co-convened several interdisciplinary research symposiums and a conference, with topics spanning creative arts pedagogy, cultural inclusion, gender, and sexuality, bringing together researchers across the Asia-Pacific region. From 2020-2024 Drew was Program Lead of the Bachelor of Arts (Fine Art) Hong Kong program, developing extensive links across the region.

Research fields

  • 3606 Visual arts
  • 3601 Art history, theory and criticism

UN sustainable development goals

  • 10 Reduced Inequalities
  • 5 Gender Equality

Academic positions

  • Associate Professor
  • RMIT University
  • Melbourne, Australia
  • 1 Jan 2024 – Present
  • Senior Lecturer
  • RMIT University
  • Melbourne, Australia
  • 1 Jan 2021 – 31 Dec 2023
  • Co-Program Manager, Bachelor of Arts (Fine Art) (Honours)
  • RMIT University
  • Melbourne, Australia
  • Feb 2020 – Dec 2020
  • Program Lead, Bachelor of Arts (Fine Art) Hong Kong
  • RMIT University
  • Melbourne, Australia
  • 2020 – 2024
  • Lecturer
  • RMIT University
  • Melbourne, Australia
  • 2012 – 2020

Non-academic positions

  • Board Director
  • Shepparton Art Museum
  • , Australia
  • 2024 – 2026
  • Board Director
  • Shepparton Art Museum
  • , Australia
  • 2019 – 2020
  • Vice-Chair
  • Bus Projects
  • , Australia
  • 2012 – 2016
  • Director
  • Bus Projects
  • Melbourne, Australia
  • 2009 – 2011

Supervisor projects

  • The Divina Liturgies
  • 31 Mar 2024
  • Resonance Chamber: Contemporary Anxieties Take Form
  • 10 Jan 2024
  • Protagonist: A Choreography of Queer Digitality
  • 1 Aug 2023
  • Infinite Paths through the Poison Garden: Alternative Ontologies to Anthropocentrism
  • 10 Dec 2021
  • Bogeybabies – an exorcism of the virtual damaged child figure, as evoked to suppress queer artistic expression.
  • 1 Dec 2021
  • Anxieties of Multiplicity: Mobilising Representation in Contemporary Spatial Practice
  • 1 Apr 2021
  • Life-Extending Breadcrumbs. Facilitating Morphosis and Collaborative Sculptural Practice through Posthuman Ethics
  • 2 Feb 2021
  • Spectral Geologies: emergent methods for listening to the past in contested territories
  • 17 Dec 2020
  • A Thousand Different Adventures
  • 15 Dec 2020

Research interests

The archive

Queer theory

Gender

Representation

Social context

Initiatives and links

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torres strait flag

Acknowledgement of Country

RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.