Michelle Aung Thin is a Senior Lecturer in the School of Media and Communication, teaching in the discipline of Communication, Advertising and in the field of Creative Writing. She is an international award winning novelist and copywriter. Her critically acclaimed first novel, The Monsoon Bride (Text 2011), was shortlisted for the influential Victorian Premier Literary Awards as an unpublished manuscript. Her latest novel, Hasina (Allen & Unwin 2019), sold into the USA and Canada, where it was released as Crossing the Farak River (Annick, 2020) and won the Freeman Prize, the South Asia Book Award as well as being listed as an Outstanding International Book in the USBBY awards. Her novel in progress, about the hidden histories of colonial Burma, is supported by the Australia Council as well as a National Library of Australia Creative Fellowship. Her work contributes to the discipline of creative writing by filling a gap in representation of mixed-race, cross-cultural and cosmopolitan experience in colonial Burma, contemporary Myanmar, Australia and Canada. Her writing is studied in Australian schools at middle-grade and VCE levels.
As a scholar, Dr Aung Thin examines literary representation of mixed-race and other forms of hybrid identities, interrogating sites of cultural meaning such as 'skin' and 'home'. She is an expert in the cultural history of colonial mixed-race groups such as the Anglo-Burmese, Anglo-Indians, Zerbadi and other Asian diaspora in cosmopolitan Rangoon. She has expert knowledge of contemporary Myanmar literary production. She was the first Asialink creative resident to Myanmar, funded by Creative Victoria, where she developed strong, lasting relationships with local artists and writers, including the internationally esteemed and prize-winning visual artist, Aye Ko. She has taught bilingual courses in writing in Mandalay and Yangon, collaborating with local artists and translators . She has been a guest at southeast Asia and Australia's most prestigious literary festivals and events. Her cultural and ethical sensibility and personal connection to the region enable her to offer insight into cross-cultural communication and creative practices. She has written about ethics and the process of writing difference for western readerships. Recently, Dr Aung Thin has extended her expertise to southeast asian literatures and literary as well as other creative communities.
Supervisor Interests
Michelle supervises creative writing PhDs in Australia and in the PRS (Practice Research Symposium) Asia. Her interests include: creative writing methodologies; skin, Authenticity intimacy and belonging in mixed-race representation; Postcolonial theory; Mobility; Burma/Myanmar
Michelle teaches
Her research interests range across cross-cultural creativity and contemporary creative practice in creative writing. She is also interested in creative industries and cultures in southeast Asia, particularly Myanmar, as well as freedom of expression.
She is the Creative Practice Advisor for the School of Media and Communication in 2024
She is the PRS Asia Chair in 2025
Michelle is also an international, multi-award-winning novelist. Her books include:
The Monsoon Bride, (Text)
Hasina
Crossing the Farak River
Funding and fellowships include:
Asialink resident to Myanmar in 2014
National Library of Australia Creative Fellow in 2017
ASA Blake Beckett Scholarship winner in 2021
ARC Investigator on Connecting Asia-Pacific Literary Cultures: Grounds, Encounters and Exchange 2021 - 2025
Goethe Institute Myanmar Photographi Archive grant to reinterpret the hidden history of Yangon, 2023
Internal grants include:
RMIT Vietnam VN Regeneration project grant
SEA (South East Asia) grant: Translating Climate Resilience through Creative Writing Methodologies
Michelle has also won several Category 2 grants from the Australia Council,Creative Victoria and the Canada Council.
Acknowledgement of Country
RMIT University acknowledges the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation on whose unceded lands we conduct the business of the University. RMIT University respectfully acknowledges their Ancestors and Elders, past and present. RMIT also acknowledges the Traditional Custodians and their Ancestors of the lands and waters across Australia where we conduct our business - Artwork 'Sentient' by Hollie Johnson, Gunaikurnai and Monero Ngarigo.